메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
박계리 (한국전통문화대학교)
저널정보
한국미술연구소 미술사논단 美術史論壇 第39號
발행연도
2014.12
수록면
87 - 105 (19page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
In modern Korea, the crane has come to symbolize a wide range of meanings. Even the broad concept of “tradition” itself is represented through the crane as it has carried over the various tales that have been ascribed to it since the old ages. This bird was said to have the ability to cross over to the Taoist paradise, to represent the life of a virtuous man, and to be a sign of luck and a good omen. But during the 20th century the object of good fortune changed first with the transition from Kingdom to nation state and then with the dilution of the state to smaller communities of regions down to the marital relationship of man and woman. Although no class of Confucian literary existed anymore, the attitude of the virtuous man still remained a point of orientation for intellectuals during that time which led them to include this image of the crane in their self-portraits as well.
The various connotations expressed in pictures of the crane were like other symbols during the 20th century subject to continuous experiments and change. Despite being a traditional symbol, therefore changes in its depiction can be analyzed through the influence of this force of change that was set in motion with modernity.

목차

Ⅰ. 학을 사생하다
Ⅱ. 전통적인 학 도상들을 차용하다
Ⅲ. 학을 통해 전통을 표상하다
Ⅳ. 결론
참고문헌
ABSTRACT

참고문헌 (10)

참고문헌 신청

이 논문의 저자 정보

이 논문과 함께 이용한 논문

최근 본 자료

전체보기

댓글(0)

0

UCI(KEPA) : I410-ECN-0101-2016-650-001087619