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The Transition of the Tradition of Handmade Potteries into Industrialization - the case of Oegosan Onggi Village in Ulsan, Korea -
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수제(手製) 전통의 산업적 성격 전환 과정 : 울산 외고산마을 옹기의 사례

논문 기본 정보

Type
Academic journal
Author
Bae, Young-Dong (안동대학교)
Journal
The Korean Folklore Society The Korean Folklore Vol.59 KCI Accredited Journals
Published
2014.5
Pages
31 - 64 (34page)

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The Transition of the Tradition of Handmade Potteries into Industrialization - the case of Oegosan Onggi Village in Ulsan, Korea -
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Oegosan Onggi Village, Ulsan metropolitan city is the largest village which produces potteries in Korea. This village, which gets a lot of attention to the history of Korean pottery industry, has been developed widely in accordance with the economic and social change. This village has progressed as Onggi village since 1958, when Heo Deokman(1914~1972) who made potteries in Yeongdeok, Kyeongbuk province moved here and produced potteries in an improved kiln. In the early days, pottery craftsmen from Yeongdeok played a key role in producing handmade potteries in the mood of christ and the system of the division of labor. New technology for the mass production of potteries, which was developed inside Oegosan village or induced from the outside, was of universal application in the 1970s and 1980s. The craftsmen in the village developed the skill of copying a pottery using the gypsum mould and bunker C oil as auxiliary fuel. In addition, they introduced the thermometer for a kiln and the shuttle kiln. Oegosan Onggi has got a lot of attention nationwide with the increase of productivity and the extended market since the handmade potteries changed partly into the factory made ones. However, from the late 1990s, the pottery industry contracted and decreased its output. In this circumstance, craftsmen took cultural responses in order to activate the pottery industry. They organized the pottery association and created a pottery festival by themselves. From the middle to the late 2000s, Ulsan itself took action for the culture industrialism of Oegosan Onggi. Finally, contrary to the intent of the cultural properties protection law, all members of the pottery association were designated as the holders of intangible cultural heritages, Oegosan Village was maintained as one of the tourism resources and advertised Oegosan Onggi extensively, holding the Onggi Expo in Ulsan, Korea. Consequently, the tradition of handmade potteries had power again as symbolic resources of cultural industry. However, not all pottery craftsmen carry out the manufacturing process of handmade pottery in a traditional way.
#수제옹기 #옹기장인 #양산체제 #문화적 대응 #문화산업 #handmade pottery #pottery craftsmen #mass production #cultural responses #cultural industry

Contents

[국문초록]
Ⅰ. 머리말
Ⅱ. 수제옹기 마을 조성과 공장제 운영
Ⅲ. 옹기 양산체제 구축과 경쟁력 강화
Ⅳ. 옹기제조업 위축과 장인들의 문화적 대응
Ⅴ. 옹기제조업의 관주도 문화산업화 시도
Ⅵ. 맺음말
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Comments(1)

0

이 논문은 한국 청년층 1인 가구 현황과 그들이 스스로 1인 가구를 어떻게 생각하는 지에 대해서 연구한 것입니다.
청년들은 본인의 시간을 타인의 간섭 없이 알아서 활용할 수 있다는 이유로 1인 가구를 선택하고 있었고 그 부분에 대해서 긍정적으로 바라보고 있었습니다.
그런데 눈에 띄었던 것은 청년층이 부모와 주위의 결혼 강요를 견디기 힘들다는 생각을 표했다는 점이었습니다.
이 부분에서 청년들의 독립 생활 욕구가 더 증가하는 요즘 시대에 결혼을 인생의 종착지로 여겨야 하는지 의문이 들었습니다.
한편으로는 1인 가구가 현재만큼 늘어났던 사례가 없다 보니 조금만 더 시간이 흐르면 특수한 사회적 현상이나 문제가 발생할 것이라는 생각도 하게 되었습니다.
1인가구 비율이 증가하는 추세에 맞는 재미있는 논문이었습니다.

심*기General Social Science 2021-06-30
UCI(KEPA) : I410-ECN-0101-2016-380-001451536