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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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Biblical painting criticism that appraises the meaning and the value of the biblical paintings requires a certain degree of pattern and structure. However, the attempt to establish a methodology of the biblical painting criticism has been quite rare. This work is an attempt to suggest a methodology of the biblical painting criticism, exploring the triple identities of `biblical painter` as a `biblical reader,` `visual exegete,` and `artist.` For this Rembrandt van Rijn (1606-69) and his biblical paintings are chosen. Rembrandt is a typical figure who clearly demonstrated himself as a biblical reader, visual exegete, and artist. Rembrandt as a sincere biblical reader took part in the biblical world, as a creative visual exegete, deconstructed and reconstructed the established interpretation traditions, and as an artist gave shape to the fundamental insights discovered by him and his own community.
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