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This study seeks a trajectory overview on how Jesus was portrayed by modern and contemporary Korean poets, categorizing six of them in three patterns of portrait: the Jesus of Dongjoo Yoon, Doojin Park, and Hyunseung Kim in the portrait of innocent self-sacrifice and solitary love; the Jesus of Jiha Kim, Hoseung Jung, Junghwan Kim in the portrait of people`s liberation and ecological thrust; the Jesus of Donggyu Hwang, Sungbok Lee, and Seungho Choi in the portrait of serious seeker and aesthetic sage. A typological analysis has been attempted for this purpose, sorting out their related poetic works in a series of critical illuminations. The result of this study shows that in spite of their remarkable range of differences their poetic interpretations of the biblical Jesus share some common points. First, the development of their views on Jesus has been roughly in parallel with the development of biblical hermeneutics in the course of Korean history. In such a developmental process what matters is the introduction of the scholarly issues on the historical Jesus, which served as the pivotal point of dynamic perspective. Second, their poetic touch on Jesus concurs in highlighting traditional kerygma about Jesus which centers on his birth, sacrificial death on the cross and resurrection etc. Yet later on some divergent moves are detected in the context of religious pluralism, as illustrated in the works by Donggyu Hwang and Seungho Choi who tried to reinterpret Jesus` life and teachings in an oriental matrix of theological contemplations. Third, their poetic treatments of Jesus take a critical stance against the Korean church, either consciously or unconsciously, by pointing out her lack of deep reflection on, and warmhearted concern for the current socio-political reality. Finally their portraits of Jesus tend to show a genuinely human figure of Jesus free from the traditional frame of dogmatic assumptions and conventional Christian faith. This radicalized portrait of Jesus as reconstructed in the creative imagination of Korean poets is further open to the increasing phenomenon of strange ``otherness`` in our contemporary world, thus challenging all Jesus-believers and Jesus-followers to reconsider and even reconfigure their stereotyped version of the biblical Jesus.
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