메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
김태우 (국민대학교)
저널정보
한국현대영미드라마학회 현대영미드라마 현대영미드라마 제28권 제2호
발행연도
2015.8
수록면
87 - 114 (28page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

이 논문의 연구 히스토리 (4)

초록· 키워드

오류제보하기
The aim of this thesis is to briefly survey the construction of Voyage, the first of Stoppard’s trilogy The Coast of Utopia, and to examine the problems involved in the description of Bakunin, its protagonist, in it. Like a tangled skein, Voyage is packed with diverse episodes and unfamiliar characters without a coherent plot. So a reader or an audience member will find it difficult to follow the play and properly appreciate it. Hence the need to clarify the construction. As for the description of Bakunin, it requires a detailed study in that the question should not be simply ignored on the excuse of Voyage being a fiction. As a dramatic work, Voyage is no doubt a fictional work, but it is also true that it is constructed in such a way that the characters and events described in it are the real historical people and events.
Voyage is made up of two acts; the first focuses on Bakunin’s private life in Premukhino, while the second is more concerned with Bakunin’s public life in Moscow. The first act is largely about the episodes of Bakunin’s sisters’ romance and marriages, which is depicted in a distinctively Chekhovian style. The second act is in a way more confusing in that, though Bakunin still plays the major role, it does not proceed with a firm focus on Bakunin. While preparing for the subsequent Shipwreck and Salvage with the introduction of Herzen, the protagonist in both plays, it seems to be intended to give a wide politico-cultural view of the age.
Stoppard openly acknowledged that in writing his trilogy he owed a lot to such eminent scholars as Edward Carr, Isaiah Berlin and Aileen Kelly. Unfortunately, however, they happen to be antagonistic to Bakunin and his ideas in various degrees. And in Voyage, quite expectedly, Bakunin is depicted in a very negative way. The negative treatment of Bakunin, however, cannot be wholly ascribed to the influences of the above-mentioned scholars, because a number of recent works on Bakunin including a biography give a more balanced appreciation of Bakunin and his ideas. The treatment of Bakunin in Voyage, therefore, definitely reflects Stoppard’s own ideological orientation and prejudices. In the end, it depends on oneself whether he/she feels sympathy with Bakunin and what he stands for, but it must be borne in mind that Bakunin was basically a freedom fighter, and a true criticism of his life and ideas should be made at least on the basis of that recognition.

목차

Ⅰ. 서론
Ⅱ.『항해』의 구성
Ⅲ. 바쿠닌 묘사의 문제점
Ⅳ. 결론
인용 문헌
Abstract

참고문헌 (22)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

이 논문과 함께 이용한 논문

최근 본 자료

전체보기

댓글(0)

0

UCI(KEPA) : I410-ECN-0101-2016-842-002068463