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The Artistic Communion between a Poet and a Painter: the Case of Baek Seok and Jeong Hyeon-ung
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시인과 화가의 예술적 교감 혹은 백석과 정현웅의 경우

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Type
Academic journal
Author
Youn, Bum mo (가천대)
Journal
인물미술사학회 Association of Biographical Art History in Korea No.8
Published
2012.12
Pages
249 - 283 (35page)

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The Artistic Communion between a Poet and a Painter: the Case of Baek Seok and Jeong Hyeon-ung
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A painter, Jeong, Hyeon-ung and a poet, Baek Seok worked at the same company in the late 1930s and their friendship grew at that time. Baek Seok is an intellectual poet who wrote poetries based on the northern regional emotion and sentiment in agricultural areas. Jeong, Hyeon-ung is a painter whose early paintings include landscape paintings and portraits of a seated woman of the Joseon dynasty while his later works became to consist of paintings that depict the lives of Korean people under the colonial rule in a realistic manner. One of his masterpieces is ‘One corner of waiting room (대합실의 한 구석).’ One interesting thing related to the painting is that when Jeong, Hyeon-ung was working on the painting, Baek Seok left for Manchuria and released a poet titled ‘In the Northern Sects (북방에서)’ and subtitled ‘To Jeong, Hyeon-ung (정현웅에게).’ The common ground of the poem and the painting confirms that they interact artistically with each other. Baek Seok and Jeong, Hyeon-ung shared a feat also after the division of Korea in the late 20th century. The Korean war forced Jeong, Hyeon-ung to be included in the list of painters defected to North Korea, while Baek Seok returned to Pyeongyang, North Korea from Manchuria. However, both failed to reconcile with North Korean regime and took a step back from the front lines. Official reunion of Jeong, Hyeon-ung and Baek Seok happened in 1957 when Jeong, Hyeon-ung painted the book cover and the arthur’s portrait for Baek Seok’s collection of children’s poem, ‘Four Crayfish Brothers (집게네 네 형제)’. This proves that the days when the two were actively engaged as a poet and a painter belong to different age. For the proposition, ‘An artistic communion between a poet and a painter’, Baek Seok and Jeong, Hyeon-ung will serve as a greatly appropriate case that requires attention. Especially, when compared with the status of Baek Seok in the Korean literature history and when compared with the Jeong, Hyeon-ung’s activities as a realist painter, what the lesson learned from the two artists suggests is not small.
#시인과 화가의 교감 #월북작가 #출판미술 #농촌정서 #결벽증 #현실주의 #Communion of Artist and Poet #Artist of Defection #Publishing Art #Rural Emotions #Mysophobia #Realism

Contents

Ⅰ. 화가 정현웅, 시인 백석을 만나다
Ⅱ. 가장 매력적인 한국 시인, 백석
Ⅲ. 백석과 정현웅의 교우관계
Ⅳ. 정현웅 미술세계의 특징
Ⅴ. 정현웅과 백석 예술세계의 공유
Ⅵ. 백석 시인의 결벽증
Ⅶ. 결론에 대신하여
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