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논문 기본 정보

자료유형
학술저널
저자정보
史在東 (충남대학교)
저널정보
충남대학교 충청문화연구소 충청문화연구 충청문화연구 제15집
발행연도
2015.12
수록면
142 - 222 (81page)

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초록· 키워드

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Throughout the paper, I have discussed about the performing processes and literature developments of Buddhist Ritual Dance patterns from the perspective of theater theory, play theory. The followings are summarized.
The first, I reviewed the details of Buddist ritual dance patterns and their distributions. They were performed in Buddhist temples by words of mouths and books the day or later nationally.
The second, I reviewed the types of Buddist ritual dance patterns. Their types are scripts of ritual performing having the literary values and the play values.
The third I traced the play developments. Their procedures are "Beginning-Predicted describing-Event-Increasing- Peak- Decreasing- End" The beginning is a prelude, the describing and event is Act1, the increasing is Act2, the peak is Act3, the decreasing is Act4, the end is Act5, those procedures are correspond to the play.
The forth, Buddhist ritual dance patterns are studied literature facts and genre developments. These works meet the demand of literature genre system.
The fifth, the statues of Buddhist culture are checked. The patterns of them had been displayed for the propagating and the revival of Buddhism. Specially, they stood high in Ghoseon Dynasty Buddhism
A hitherto, I have discussed about the performing processes and literature developments of Buddhist Ritual Dance patterns but still the lack for the values themselves. In fact, these patterns the treasures in performings, plays, and literatures.

목차

1. 序論
2. 佛敎齋儀軌範의 撰成經緯와 傳承樣相
3. 佛敎齋儀軌範의 類型實態
4. 佛敎齋儀軌範의 公演樣相
5. 佛敎齋儀軌範의 文學的 展開
6. 佛敎齋儀軌範의 文化史的 位相
7. 結論
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UCI(KEPA) : I410-ECN-0101-2016-911-002223071