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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국복식학회 복식 복식 제36권
발행연도
1998.1
수록면
219 - 238 (20page)

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초록· 키워드

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For the purpose of this Study, the situation of Korean costume properties in the collection of overseas museums was investigated through correspondence, interviews with their curators and persons in charge and survey. As results were made about the situation of museum science (conservation) and practical utilization of costume properties. So, the study result were drawn as follows : Korean costume properties unexplained of `Korean cultural Properties` could be found in the Metropolitan Museum of Art of New York(135 pieces), the Brooklyn Museum of New York(20 pieces), the Newark Museum of New Jersey(15 pieces), and the Victoria Albert Museum of London(100 pieces). Korean costume properties in the collection of overseas museums mostly fall under the rang of period between the 19th century and the early 20th century and are classified into everyday clothing, wedding costume and armors for the most part. In 1900s, museum in several countries began to collected Korean cultural properties through foreign missionaries or diplomats as well as merchants or travellers in who bought Korean objects. Recently, scholars, traditional Korean costume designers and diplomatic and consular offices in overseas have donated our Korean costume to many foreign museums. Korean costume properties were largely on display in the dependent display of folklore museums or in a part of exhibition gallery for Asian culture and there were the separate exhibition rooms in museums in the United Kingdom, Germany, Denmark, Austria, Japan and the United States America. But the size and level of display room for Korean cultural properties is one third as large as that for chinese or Japaneses cultual properties. It was found in this study that the traditional Korean costume in the collection of overseas museums was largely recorded only as general items rather than given their proper names. The typical example of misnaming in cluded bridal`s Kimono for Wonsam(원삼) in the Metropolitan Museum of Art, Yeonroksaekbumunsajeokori for Dangeui(당의) and Jissangryongwonmunsadurumagi for Dongdali(동달이) in the Okura collection of the Tokyo National Museum, and so on. And the Victoria Albert Museum modified the way of wearing Daenim(대님) and the National Museum of Ethnology in Osaka seemed to misplace the ornament of Deanggi(댕기) on Mubok(무복) and Josunjuk(조선족 : Chinese-Korean) Museum also misplace Hansma(한삼). On the one hand, the Newark Museum of New Jersey mixed Chinese armor with the Korean one and the Potograph of King Kojong(고종) with Chinese one. It is corrected to publish and disseminate the book concerning Korean costume in order to inform foreign museums of the proper names and wearing method of our traditional costume. The repair of costume before cleaning in the process of conservation treatment can prevent damage likely to occur as the properties of fiber itself are weakened in liquid. It is recommended that western 8-figure stitch and tacking sitich is added to Korean traditional sitching method. Museums in the U.S.A and the U.K. are concerned about the aftermath of cleaning itself, specially conservation treatment may exert on remains and predominantly use the vacuuming method to remove dust or bits of straw before the exhibition beings. But -in case of Korea, the dry cleaning and wet cleaning method are used according to the nature and state of a sample costume. This comprehensive cleaning method is gradually developing scientifically but it is expected that those concerned will make a chemical analysis of the solvent to be used and also the more precise test of costume properties will be conducted before cleaning them. A partial study was made here because the scope of study was too broad and vast. It is expected that more studies will be conducted concerning our costume culture under the long-term plan and active support at the government level.

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