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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This paper aims at the possibility of Culture-Democracy through the Iranian literature and Cinema. Iranian literature has had a great influence on Iranian Cinema. Iranian literature has been situated in the core of Iranian Culture. The poetry has a predominant traditions comparing to prose in Iranian literature.
Imagism in Iran has developed on the basis of Poetry, and Poetry is tied to Cinema representing the Image-Art. Film director"s biggest mission is to display that Classical Poetry is revealed in film in any way. The purpose of Culture-Democracy is to secure the cultural species diversity and spread the high(advanced) culture.
In 「Iranian literature and cinema」 of this paper(Ⅱ), it is consisted of the three parts: Persian Cultural territory, the relationship of Iranian literature and Image, and the relationship of Erfan(Mysticism) and Cinema. In addition, 「Through the Olive Trees」by Abbas Kiarostami is introduced and analyzed.
Imagism in Iran has developed on the basis of Poetry, and Poetry is tied to Cinema representing the Image-Art. Film director"s biggest mission is to display that Classical Poetry is revealed in film in any way. The purpose of Culture-Democracy is to secure the cultural species diversity and spread the high(advanced) culture.
In 「Iranian literature and cinema」 of this paper(Ⅱ), it is consisted of the three parts: Persian Cultural territory, the relationship of Iranian literature and Image, and the relationship of Erfan(Mysticism) and Cinema. In addition, 「Through the Olive Trees」by Abbas Kiarostami is introduced and analyzed.
목차
Ⅰ. 서론
Ⅱ. 이란 문학과 영화
Ⅲ. 영화 「올리브 나무 사이로」
Ⅳ. 결론
〈참고문헌〉
Abstract
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UCI(KEPA) : I410-ECN-0101-2017-030-001380986