지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The evaluation of Nakagami Kenji"s works has been conducted from the perspective of ‘Projection of ROJI, ‘Discrimination and its victims’, etc. However, in this article, the focus is on the ‘Female’ who is on the relatively lower class of ruling ideology in patriarchal society. As a result, the lives of females could be verified who are suffering from complex, serial, multi-level discrimination. Especially, he saw through that cause of problematic familism occurred by structural malady of ruling ideology was being shifted onto the mother who was depicted as ‘Scary and fearful’ and ‘Monstrous’. But ironically, even though Nakagami saw through the contradiction but was actively reproducing the perspective of ‘Misogyny’ on the other hand.
In this sense, this study started from the questions on Nakagami’s contradiction, which points out the malady occurred by familism under ruling ideology falling into ‘Mythicization’ or ‘Description as monster’ when expressing the maternal instinct of mothers but also reproducing the image of hatred when depicting ‘Mother’ as ‘Female monster’. As a result, as asserted by Lacan, the psychoanalyst, the main character Akiyuki could be found who is attempting to escape from the ‘World of mother’ and move to ‘World of father’. It was found that Akiyuki was attempting the complete separation by recognizing his mother as ‘Monster’ to be separated from her. There were desperate struggles of ‘Self-realization’ to be completely separated from the mother and be independent as an entity and his first step was made in the “Misaki”.
In this sense, this study started from the questions on Nakagami’s contradiction, which points out the malady occurred by familism under ruling ideology falling into ‘Mythicization’ or ‘Description as monster’ when expressing the maternal instinct of mothers but also reproducing the image of hatred when depicting ‘Mother’ as ‘Female monster’. As a result, as asserted by Lacan, the psychoanalyst, the main character Akiyuki could be found who is attempting to escape from the ‘World of mother’ and move to ‘World of father’. It was found that Akiyuki was attempting the complete separation by recognizing his mother as ‘Monster’ to be separated from her. There were desperate struggles of ‘Self-realization’ to be completely separated from the mother and be independent as an entity and his first step was made in the “Misaki”.
목차
Abstract
1. 들어가며
2. 마이너리티로서의 여성
3. 마이너리티로서의 어머니
4. 어머니로부터 상징적 탈출을 시도하는 아키유키
5. 나오며
참고문헌
REFERENCES
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UCI(KEPA) : I410-ECN-0101-2017-830-002213540