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The ‘Mulanshipian(木蘭詩篇)’ which restructured Yue fu Poem ‘Mulanshi(木蘭詩)’ into opera is a suitable example that a reproduction of the classic literary texts apply actively and positively to cultural, political practices and diplomacy. And it is a great illustration which is interpreted a good use of ‘Mulanstorytelling’ as modern utilization and content of the humanity through its’ superior adaptability and propagation beyond space and time.
Traditionally Mulan has been eulogized as the patriotism and ethical spirit of Chinese people in Yue fu Poem ‘Mulanshi’. Ever so, in opera ‘Mulanshipian’, Mulan changed her image as humanity and world peace Corps by singing theme of peace and justice. Based on the essence of drama and the regional characteristics of music, Mulan successfully creates dieverse type of images of her as a daughter who puts filial piety first and dares to bear, a hero who is attired as a man but cherishes the feeling of a woman and a lady who is simple and ordinary but with great love. The opera ‘Mulanshipian’ has the feature of unity.
With the theme of peace and justice, opera ‘Mulanshipian’ has been performe dover 200 times in China and abroad in 11 years. The other significance of this performances is based on heroine Fengliyuan who was the leader of Chinese choir and is the wife of Xijinping. As the heroine of opera ‘Mulanshipian’, she has successfully played a key role to evangelize the image of China in culture and international diplomacy.
From sociocultural point of View, this study delve into the feature of genre, the cultural policy of the Chinese government, the problems related to ethnic minorities and the use of classical literature through ‘Mulanshipian’, a modern reproduction of ‘Mulanshi’.
‘Popularity’ as a creative genre and entertainment, ‘Homogeneity’ as a sympathetic character ‘Mulan’, ‘Sympathy’ as a ideological issues of peace and justice and ‘Openness’ as a ethnic and cultural diversity are the point of success of ‘Mulanshipian’.
In addition, I would like to explore the possibilities of accepting classical literature as a modern culture and its direction and meaning.
Traditionally Mulan has been eulogized as the patriotism and ethical spirit of Chinese people in Yue fu Poem ‘Mulanshi’. Ever so, in opera ‘Mulanshipian’, Mulan changed her image as humanity and world peace Corps by singing theme of peace and justice. Based on the essence of drama and the regional characteristics of music, Mulan successfully creates dieverse type of images of her as a daughter who puts filial piety first and dares to bear, a hero who is attired as a man but cherishes the feeling of a woman and a lady who is simple and ordinary but with great love. The opera ‘Mulanshipian’ has the feature of unity.
With the theme of peace and justice, opera ‘Mulanshipian’ has been performe dover 200 times in China and abroad in 11 years. The other significance of this performances is based on heroine Fengliyuan who was the leader of Chinese choir and is the wife of Xijinping. As the heroine of opera ‘Mulanshipian’, she has successfully played a key role to evangelize the image of China in culture and international diplomacy.
From sociocultural point of View, this study delve into the feature of genre, the cultural policy of the Chinese government, the problems related to ethnic minorities and the use of classical literature through ‘Mulanshipian’, a modern reproduction of ‘Mulanshi’.
‘Popularity’ as a creative genre and entertainment, ‘Homogeneity’ as a sympathetic character ‘Mulan’, ‘Sympathy’ as a ideological issues of peace and justice and ‘Openness’ as a ethnic and cultural diversity are the point of success of ‘Mulanshipian’.
In addition, I would like to explore the possibilities of accepting classical literature as a modern culture and its direction and meaning.
목차
1. 들어가는 말
2. 「木蘭詩篇」의 장르적 독창성과 목란 서사의 공연예술적 변주
3. 「木蘭詩篇」을 통해 본 중국 정부의 문화정책
4. 「木蘭詩篇」에 투사된 중국의 소수민족 觀, 그리고 정책
5. 「木蘭詩篇」창작과 공연의 사회문화적 의의
6. 나가는 말
【參考文獻】
【Abstract】
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UCI(KEPA) : I410-ECN-0101-2017-820-002415391