메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
안병용 (경희대학교)
저널정보
한국슬라브유라시아학회 슬라브학보 슬라브학보 제32권 제2호
발행연도
2017.6
수록면
85 - 116 (32page)
DOI
10.46694/JSS.2017.06.32.2.85

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
Russian literature has been experienced the serious changes following to the 80ʹs perestroika and the end of USSR period. Since the 20th century, Russian modern drama tended to look into the traditional themes and works of the previous centuries. This changes of Russian literature was called the back to the past which focused on the ʺeternal themes of Russian literature.ʺ
This article investigates two Russian modern plays, one is M. Gorkyʹs work of the 19th century, ʺThe Lower Depths(На дне)“ in terms of the traditional themes of Russian literature, and the other is I. Shprits’ “Na donishke(На донышке)” which has contributed to reinvention and expansion of such traditional themes.
The author of this article investigates M. Gʹs work as the realistic theatre including diversity of traditional philosophical elements. The author also looks into the M. G‘s work as the similar work of Chekhov’s work dealing with traditional themes of Russian literature and the characteristics of main actor or actress whose moving are extremely restricted in a play.
In 1994, Igor Shprits wrote a remaking play, ʺNa donishkeʺ which is composed as a ʺplay in a play.ʺ The remaking play has been made based on Stanislavskyʹs realism, describing a play like as a real life, and a play without textual scriptures, so called an impromptu play.
The synthetic style of such realism and an impromptu play is known as a new style of play, ʺplay in a play.ʺ This type of play became so interested because of the combination of a realism, emphasizing the humanʹs reason and critical point of a real life described as fun, emotional, intrinsic features of human beings.
The works of M. G. show the tragic aspects of the object with the type of ʺplay in a playʺ and the tragic aspects of the subject itself, in the form of ʺremaking playʺ.
I. Shprits‘s work of ʺNa donishkeʺ shows the bottom line of real lives and the tragedy of the subject which is based on the traditional realistic feature of modern playʹs comic parody.
Many other modern Russian playwright write works dealing with such a heavy theme like as the bottom lines of reality (or the lifestyles of extremely poor situations). These authors tend to follow Vampilov‘s works showing the marginality and the absence of real houses as the main theme of their plays. It implies that there are internally slight change of Russian modern literature which will be the research agenda in the near future.

목차

Ⅰ. 들어가며
Ⅱ. 고리키의 <밑바닥에서(На дне)>와 체호프 전통
III. 슈프리츠의 <밑바닥에서(На донышке)>
VI. 나가며
참고문헌
Abstract

참고문헌 (0)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0

UCI(KEPA) : I410-ECN-0101-2018-349-001009135