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Kang Yong-hwan's Changgeuk Activities - A Reexamination of Family Records and Park Hwang's Records -
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강용환의 창극 활동 연구 : 가계자료 및 박황 기록의 재검토를 중심으로

논문 기본 정보

Type
Academic journal
Author
Baek, Doosan (서울대학교)
Journal
The Learned Society Of Korean Modern Literature The Journal of Korean Modern Literature Vol.52 KCI Accredited Journals
Published
2017.8
Pages
189 - 219 (31page)

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Kang Yong-hwan's Changgeuk Activities - A Reexamination of Family Records and Park Hwang's Records -
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This paper reconstructed Kang Yong-hwan’s changgeuk activities by cross-checking Kang Yong-hwan’s family records and records found in The History of Changgeuk. Born in Muan, Jeollanam-do, in 1865, Kang Yong-hwan supposedly died in 1902, according to the “petition” document. However, no important possessions or his body have been found. Moreover, Kang’s temporary grave, was said to be near the Punggyeonggung Palace in Pyongyang, which was under construction then and makes the year of death as 1902 the more questionable. Park Hwang compiled the history of theaters in the 1900s starting from “Gwangmudae Hyeopyulsa” (before 1990), “Wongaksa” (1902) and the “Dongdaemun Gwangmudae” (1907) and edited the oral statements given 30 years before in his The History of Changgeuk. Taking this record into account, this paper conducted a cross checking in order to reconstruct the records of Kang Yong-hwan’s life. Kang Yong-hwan took part in performances in Seoul in sometime between 1903 and 1907 and gained experience of turning performances into “changgeuk” by participating in performances of Chunhyangjeon, Eunsegye and Shimcheongjeon at Wongaksa in 1908. A singer of Dongpyeonje and Seopyeonje, Kang played the role as a scriptwriter who added humorous passages in the classical pansori songs and transformed the pansori into a changgeuk. He was talented in creating humorous and popular changgeuks by adding various jokes and popular songs into the mix. Kang was also interested in traditional Chinese musical performances and records from the “Kim Chang-hwan Hyeopyulsa” also shows his role as a stage director. Kang Yong-hwan’s life is significant in that he was a script writer and a stage director from the traditional performer group.

Contents

국문초록
1. 서론
2. 강용환의 사망연도 재론 : 가계자료 검토를 중심으로
3. ‘원각사’ 시기 강용환의 창극 공연활동 검토
4. 강용환 창극 활동의 의의 : 고제(古制) 판소리를 이용한 창극 대본의 구성과 무대감독의 역할
5. 결론
참고문헌
영문초록

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