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논문 기본 정보

자료유형
학술저널
저자정보
선희정 (연세대)
저널정보
19세기영어권문학회 19세기 영어권 문학 19세기 영어권 문학 제23권 제1호
발행연도
2019.3
수록면
93 - 120 (28page)
DOI
10.24152/NCLE.2019.3.23.1.93

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초록· 키워드

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In this thesis, I attempt to investigate how Keats represents woman as monstrous, abject in his anti-romantic gothic tale of horror, Isabella; or the Pot of Basil. Based on theories of Barbara Creed and Julia Kristeva, I argue that Keats’s Isabella is a reworking of the monstrous-feminine, which has always been an abject creature. In her book The Monstrous-Feminine, a psychoanalytic study of the horror film, Creed focuses on the horror film’s figuration of woman-as-monster, drawing on Kristeva’s notion of the abject. The concept of the monstrous-feminine, as constructed within/by a patriarchal and phallocentric ideology, is related intimately to the problem of sexual difference and castration. I posit that Keats’s Isabella is linked to Kristeva’s and Creed’s theory through its abundance of abject imagery, its treatment of boundary crossing, and its construction of the maternal figure as the monstrous-feminine. Perhaps the most renowned of the Romantic retellings of Boccaccio’s tales, Keats’s Isabella is full of gothic excess—the femininity/maternity, mawkishness, and vulgarity—all the qualities we call the abject. For the reader, Isabella and her beloved but gruesome pot of basil inspire loathing and disgust, evoking the abject and the feelings Kristeva associates with ‘abjection.’ The head in the pot—the central image of the poem—stands as the essence of what Kristeva has called “the abject.” Isabella’s decapitation is a castration. From first to last Isabella is presented as the potential mother, and Lorenzo’s head can also be read as an abject fetus. The basil plant that Isabella later nurtures is in one sense Isabella’s external womb. In Isabella, the feminine appears as abject, both threatening and nurturing, fearful and desirable. Keats actually participates in his culture’s dominating ideology by conveying a patriarchal attitude toward women.

목차

I. 시작하는 말
II. 크리드의 ‘괴기한 여성/여성괴물’ - 바질 화분 속 로렌조의 머리
III. 이사벨라 - ‘거세하는 어머니’
IV. 바질 화분-이사벨라의 외부 자궁
V. 맺는말
인용 문헌
Abstract

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UCI(KEPA) : I410-ECN-0101-2019-840-000470476