메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국중앙영어영문학회 영어영문학연구 영어영문학연구 제54권 제2호
발행연도
2012.1
수록면
55 - 80 (26page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
This paper is designed to examine how women take a stance against patriarchal society and were branded as subjects of aversion that poses a threat to the society. And this process of forsakenness as disgusted images is explored through Julia Kristeva’s concept of ‘abject’. According to Kristeva, an abject object poses a threat to the existence of a subject and it is to be detested and denied. I intend to analyze a work by a feminist playwright, Beth Henley’s Crimes of the Heart through the concept of ‘abject’. The three sisters in the play are described as abject in society. The oldest, Lenny has a shrunken ovary and she deviates from the boundaries of ‘normal’ women who can bear children. The middle one, Meg was banished from a small town in the South because she refuses to be an idealization of a meek and elegant Southern lady. The youngest, Babe cannot stand the physical and psychological abuse from her husband and shoots him, making her an abject character who directly challenges the patriarchal order. The three sisters also consider themselves as abject and opt for a life of isolation and exclusion. However, fluid characteristics of abject that hover between the boundaries help the sisters to acknowledge themselves as changeable subjects. Even though, it is evident that abject independence as a disparate other poses a threat to subjects who are fixed in their ways in the standardized society, abject can be defined as an object placed between ambiguous boundaries that we have no choice but to embrace in the end for being most true to the subject.

목차

등록된 정보가 없습니다.

참고문헌 (41)

참고문헌 신청

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0