In this paper I intend to research the course of indriya which means 5 sense organs and manas which means mind as a quasi-sensory organ, establishing their doctrinal position in initial Buddhist scripture such as Pali Nikāya, Chinise Āgama and Vinaya, etc. As a methodology for this, the goal of this study is to analyze through description about indriya and manas appeared in narratives and similes that had been unregarded in the meantime in the study of developmental history of doctrine study. Also, it is intended in this study to research the effect change of concept of indriya and manas established in the early Buddhist canon through the same as or the similar narratives and similes in Māhabhārata on Hindu tradition of India. First, in Chapter 2, historical course of the concept of manas established as one of main theory of Buddhism by analyzing description about manas appeared in the early canon, such as Sn 284, SN 4.2.5; 4.2.7, SĀ No.1085, etc. is to be searched. In conclusion, it will be confirmed that there was 4 stages in the process of importing manas to early Buddhist scripture. Along with, it will be studied culturally, that what kind of image does sensory organ among monks of initial Buddhist religious order had through the fable of Pāpīyas(波旬; P. Pāpimant) which has important connection, the Devil King threatening sense organs. Second, the story of the Dragon King(龍王), Elāpattra(伊羅鉢, P. Erāpatha), which is the same narratives introduced in Vinaya translated in Chinese such as 『四分律』 belonging to Dharmaguptaka(法藏部) and 『彌沙塞部和醯五分律』 belonging to Mahīśāsaka(化地部), etc. is to be analyzed. Through this, an example that the record of course establishing the concept of manas and indriya in early Buddhist doctrine analyzed at first, to be preserved through narrative will be presented. Lastly, this study investigates how the image of sensory organ changes along with developmental history of doctrinal system through analyzing various similes with regard to 6 āyatanas appeared in the early Buddhist canon such as MN 3.2(122) Mahāsuññatasutta, SĀ No.1164; 1167; 1171, SN 1.19.11; 5.1.3, etc. As well, it will be considered what kind of role did the introduction of manas perform in the course of image change concerning sensory organ. Along with this, it will be confirmed that in which way the metaphors appeared in initial Buddhist scripture were quoted and reconstructed in Hindu's traditional literature Mahābhārata.

means 5 sense organs and manas which means mind as a quasi-sensory organ, establishing their doctrinal position in initial Buddhist scripture such as Pali Nikāya, Chinise Āgama and Vinaya, etc. As a methodology for this, the goal of this study is to analyze through description about indriya and manas appeared in narratives and similes that had been unregarded in the meantime in the study of developmental history of doctrine study. Also, it is intended in this study to research the effect change of concept of indriya and manas established in the early Buddhist canon through the same as or the similar narratives and similes in Māhabhārata on Hindu tradition of India. First, in Chapter 2, historical course of the concept of manas established as one of main theory of Buddhism by analyzing description about manas appeared in the early canon, such as Sn 284, SN 4.2.5; 4.2.7, SĀ No.1085, etc. is to be searched. In conclusion, it will be confirmed that there was 4 stages in the process of importing manas to early Buddhist scripture. Along with, it will be studied culturally, that what kind of image does sensory organ among monks of initial Buddhist religious order had through the fable of Pāpīyas(波旬; P. Pāpimant) which has important connection, the Devil King threatening sense organs. Second, the story of the Dragon King(龍王), Elāpattra(伊羅鉢, P. Erāpatha), which is the same narratives introduced in Vinaya translated in Chinese such as 『四分律』 belonging to Dharmaguptaka(法藏部) and 『彌沙塞部和醯五分律』 belonging to Mahīśāsaka(化地部), etc. is to be analyzed. Through this, an example that the record of course establishing the concept of manas and indriya in early Buddhist doctrine analyzed at first, to be preserved through narrative will be presented. Lastly, this study investigates how the image of sensory organ changes along with developmental history of doctrinal system through analyzing various similes with regard to 6 āyatanas appeared in the early Buddhist canon such as MN 3.2(122) Mahāsuññatasutta, SĀ No.1164; 1167; 1171, SN 1.19.11; 5.1.3, etc. As well, it will be considered what kind of role did the introduction of manas perform in the course of image change concerning sensory organ. Along with this, it will be confirmed that in which way the metaphors appeared in initial Buddhist scripture were quoted and reconstructed in Hindu's traditional literature Mahābhārata.