메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국현대영미시학회 현대영미시연구 현대영미시연구 제17권 제1호
발행연도
2011.1
수록면
47 - 73 (27page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
After North, Heaney confesses his difficulties of writing poetry in the midst of sectarian violence in Ireland. Many victims and casualties from Ulster conflicts lead him to agonize over his responsibility for the tragic reality he has faced with as a poet. In this respect, elegiac poems in Field Work and Station Island serve for its prime examples. This paper, focusing on Heaney’s psychological responses and feelings of guilt, explores how his elegiac poems share the modern elegy’s traits in the Irish background. Heaney’s elegy can be characterized as “a melancholic elegy,” the term coined by Sacks and Ramazani who put great emphasis on poet’s psychological aspects in modern elegy. The mourner or poet in traditional elegy performs some conventional steps to mourn for the dead, through which (s)he can overcome feelings of grief and guilt for the dead. However Heaney as a mourner has much difficulty in performing it, in many cases only to fail. His elegy is self-critical or self-reflexive for fear of aestheticizing and idealizing the death of victims. And he hardly comforts the dead and himself as well, for he cannot provide any reasonable explanation or alternative solution for the tragic reality that has resulted in their deaths. The difficulties sometimes cause his helplessness or lead him to cherish his wish to evade the reality and to forget it. By composing a series of elegies, however, he realizes he has to face his reality as it is and comes to accept the victims’ pain and deaths as his own, which Heaney has accomplished as a modern elegist.

목차

등록된 정보가 없습니다.

참고문헌 (16)

참고문헌 신청

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0