메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
대한영어영문학회 영어영문학연구 영어영문학연구 제38권 제1호
발행연도
2012.1
수록면
163 - 185 (23page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
Christopher Marlowe dramatizes his vision of tragedy through the unavoidable doom of Barabas’ single-minded efforts to enjoy great wealth in The Jew of Malta. He enhances the main action of his tragedy by reducing it to various absurd scenes with a bitter satire. The inconsistencies of their words and actions function as an important factor of farce, the lower form of comedy. While the self-contradictory absurdity of human efforts is quite tragic, it can be farcical. He grasps these two aspects of his characters, and dramatizes the tragic elements juxtaposed with farcical elements. By mingling the tragic and farcical elements, he shows sympathy and contempt as well as pity and fear, and maximizes their reciprocal effects. These alleviate tragic tensions as a comic relief and furthermore show the meaning of human life which is inherently absurd and farcical. As a consequence, he provides the audience with serious meaningfulness by leaving it still open to various types of genres: Machiavellian tragedy, tragedy of revenge, tragedy of irony, farcical tragedy, melodrama, tragic farce, black comedy, city comedy and so forth.

목차

등록된 정보가 없습니다.

참고문헌 (15)

참고문헌 신청

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0