지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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This study aims to identify the meaning of Deleuze’s body discussion and art concepts in aesthetics discourse about Dance art. The issue about how to perceive the dancing body in art work and then what meanings can be created is the most fundamental topic that should be dealt with in dance esthetics.
First of all, the study looked into G. Deleuze’s body discussion that is developed on the basis of reasons for the body of Nietzsche and Spinozism, and from this it prepared the grounds to deal with the dancing body from perspectives such as ‘sensory power’ and ‘aesthetic construction’. In addition, Arguments for the dancing body that accepts Deleuze’s body discussion and art concepts are illustrated through the practical discussion and interpretation of Pina Bausch and William Forsythe’s choreography characteristic and dance works.
G. Deleuze thought in the discussion on a dance aesthetics has the following meaning. First, Deleuze’s thoughts about body suggests the new way of body perception in dance works and dancing body. Second, Deleuze’s concepts in his art thought is provides grounds to deal with dance works in aesthetics discourse.
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참고문헌 (19)
참고문헌 신청
Jacoby, Estelle / 2002 / Penser la danse avec Deleuze / Litterature : 93 ~ 103
Laban, Rudolf / 1947 / Effort / Hollen Street Press
Susanne K. Langer / 1983 / Virtual Power from Feeling and Form, What is dance? / Oxford University Press
김말복 / 2003 / 무용예술의 이해 / 이화여자대학교 출판부
김현옥 / 1997 / 피나 바우쉬 탄츠테아터의 작품세계에 관한 연구 / 대한무용학회논문집 22 : 7 ~ 22
Laban, Rudolf / 1947 / Effort / Hollen Street Press
Susanne K. Langer / 1983 / Virtual Power from Feeling and Form, What is dance? / Oxford University Press
김말복 / 2003 / 무용예술의 이해 / 이화여자대학교 출판부
김현옥 / 1997 / 피나 바우쉬 탄츠테아터의 작품세계에 관한 연구 / 대한무용학회논문집 22 : 7 ~ 22
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