Iñárritu’s film captures always the interconnectedness, which unavoidably draw us together, informing our sense of humanity in perpetual conflict with the superficial alienation of “the other.” His work communicate something fundamental to this recognition of postmodern global reality. All of this makes Iñárritu’s film particularly intuitive and immediate to contemporary global audiences. His films are powerfully informed and immediate, essential art in this age of postmodern confusion. In Biutiful, the latest film of Iñárritu,Barcelona, city cosmopolitan connotes cultural and social complexity which results in confusion and conflict and moral compromise. As the largest metropolitan city on the Mediterranean Sea, Barcelona has a rich cultural heritage and is an important cultural center. In Biutiful, we find the Catalan capital such as a transnational and paradoxical location. In addition,Barcelona is recognizable as the film’s co protagonist, along with main character. This multicultural city shows the moral uncertainties and political complexities by focusing on immigrant and marginalized characters. Biutiful is aware of extreme complexity of the social structure of the global city of the porosity of its internal borderlands. Biutiful takes place in grimy and crowded parts of Barcelona that are a world away from a monumentally architectural and touristic city. If the notable or recognizable public spaces of Barcelona appear in the film, they are significantly portrayed as sites of conflict. Barcelona become a city without boundaries in Biutiful. The dualistic contrast between the city centers and the peripheries, even the death and the life disappear. Uxbal and the other important immigrant characters, through their powerful presence transform the city they inhabit into a chaotic place. This distinctive cityscape reveals real aspects and dimensions of Barcelona. Iñárritu’s Barcelona is polyphonic and hybrid city. Biutiful construct a city defined by its capacity to create new identity.