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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2013.1
- 수록면
- 107 - 139 (33page)
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This paper attempts to disclose a certain dramatic features germane to Titus Andronicus, an early Shakespearean tragedy, regarded as controversial for excess of violence and cruelty. The dramatic features are placed under scrutiny in terms of the amplified meanings of the family and maternity looming in the play in relation to seemingly unbound varieties of violence.
The paper begins with an overview of the concepts of family and maternity understood as a historical as much as a literary device. The argument follows the line of feminist dialogue, pointing to varied ways of relating gender to rhetoric, biology, and other symbolic topics, as well as to social beliefs and institutions. The main argument addresses the familial norms, nexus and maternal entanglements protruded in the play. These issues are examined in close reference to the patriarchal values and ideologies entertained in Rome. The paper finds the fossilized piety of the Andronici responsible for the initial spread of violence in the play. The paper also argues that the lustful and wicked Tamora, as commonly interpreted by critics, is credited to embodying the triad layers of maternity: instinctive, power-laden, and one enclosed in the Lacanian Imaginary World.
The paper takes note of Tamora wielding maternal power, albeit perverted, to reciprocate the evil done by Titus. It also takes note of Lavinia, the very symbol of female virtues in Rome, portrayed unfavorably in this discourse for her insensitivity to maternity and to human compassion. The paper concludes that even though Tamora stays outside the realm of normative femininity in Rome, she prevails as a figure bolstering up the construct of family and maternity as a theatrical element considered crucial to interpreting the violence in this play.
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참고문헌 (28)
참고문헌 신청
Bouder, Ronald. / 1970 / Roman and Goth in Titus Andronicus / Shakespeare Studies 6 : 27 ~ 34
Danson, Lawrence E. / 1974 / The Device of Wonder: Titus Andronicus and Revenge Tragedies / Texas Studies in Literature and Language 16 (Spring) : 27 ~ 43
Derek Cohen / 1993 / Shakespeare's Culture of Violence / St. Martin's Press
Dollimore, Jonathan / 1984 / Radical Tragedy : Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries / The Harvest Press
Enterline, Lynn. / 1999 / What"womanhood denies", the Power of"tongues to tell" / Shakespeare Studies 27 : 25 ~ 36
Danson, Lawrence E. / 1974 / The Device of Wonder: Titus Andronicus and Revenge Tragedies / Texas Studies in Literature and Language 16 (Spring) : 27 ~ 43
Derek Cohen / 1993 / Shakespeare's Culture of Violence / St. Martin's Press
Dollimore, Jonathan / 1984 / Radical Tragedy : Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries / The Harvest Press
Enterline, Lynn. / 1999 / What"womanhood denies", the Power of"tongues to tell" / Shakespeare Studies 27 : 25 ~ 36
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