지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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Faulkner's narrators occupy an unusual place in Absalom, Absalom! They perform at once the obvious function of relating the events of the story and the less obvious function of shaping the reader's perception of that story through their own participation in, and conception of, events. Particularly, the narrative technique in Absalom, Absalom! furthers a sense of inevitability within the novel by using as narrators people who were removed from the events they describe either by time or distance or both, and by allowing those narrators to deliver their information as a jumbled mass of interconnected, but not clearly linear, events. We must examine our response to the novel in terms of the ways in which we are drawn into the narrative. The narrative technique at work in Absalom, Absalom! which serves to draw us into the novel also serves to ally us with the narrators, particularly Quentin.
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참고문헌 (10)
참고문헌 신청
Aswell, Duncan / 1984 / The Puzzling Design of Absalom, Ahsalom!, In William Faulkner's Absalom, Ahsalom!: A Critical Casebook / Garland
Brooks, Peter / 1982 / Incredulous Narration: Absalom, Absalom! / Comparative Literature 34 : 247 ~ 268
Egan, Philip J. / 1983 / Embedded Story Structures in Absalom, Absalom! / American Literature 55 : 199 ~ 214
Faulkner, William / 1964 / Absalom, Absalom! / Vintage Books
Muhlenfeld, Elisabeth / 1984 / We Have Waited Long Enough': Judith Sutpen and Charles Bon, In William Faulkner's Absalom, Absalom!: A Critical Casebook / Garland
Brooks, Peter / 1982 / Incredulous Narration: Absalom, Absalom! / Comparative Literature 34 : 247 ~ 268
Egan, Philip J. / 1983 / Embedded Story Structures in Absalom, Absalom! / American Literature 55 : 199 ~ 214
Faulkner, William / 1964 / Absalom, Absalom! / Vintage Books
Muhlenfeld, Elisabeth / 1984 / We Have Waited Long Enough': Judith Sutpen and Charles Bon, In William Faulkner's Absalom, Absalom!: A Critical Casebook / Garland
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