지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.1
- 수록면
- 199 - 214 (16page)
이용수
이 논문의 연구 히스토리 (2)
- 이 논문의 후속연구가 궁금하신가요?
- 연관 학술논문 또는 학술발표를 통해 보다 발전된 연구결과를 확인하실 수 있습니다.
- 이 논문의 연구 히스토리 확인하기
초록· 키워드
오류제보하기
There are several types of Buddhist paintings, among which the target of this studywas the descriptive ones. The reasons why the Buddhist painting was chosen for thestudy of classical hair style were as follows: first, its temporal background is far broaderthan folk painting or genre paintings; second, the class layers in it is so diverse that itsometimes expresses the high-class women in it.
During the Three Kingdoms Age, such an aspect can be also seen in the old tombs ofGoguryeo, especially in Jangcheon No.1 and Ssangyeongchong. In tre Goryeo Age, a lotof excellent descriptive paintings were produced under royal protection. Byeonsangdo andSuwolgwaneumdo were example of these. Though the Joseon Dynasty encouragedConfucianism and suppressed Buddhism, there were many Buddhist paintings. Especially,as Joseon Buddhist paintings came to be so deeply rooted into ordinary people's livesthat they were not largely constrained by the class layers, we can see not only ordinarypeople but also high-class women in them. Overlapping with the age of folk painting,Joseon Buddhist paintings went to their latter age, where the women were expressedmore diversely than in folk paintings.
목차
등록된 정보가 없습니다.
참고문헌 (30)
참고문헌 신청
이 논문의 저자 정보
최근 본 자료
댓글(0)
0