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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국18세기영문학회 18세기영문학 18세기영문학 제5권 제1호
발행연도
2008.1
수록면
163 - 182 (20page)

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This essay offers a textual and literary criticism of Aphra Behn's Lover's Watch, or the Art of Love―a collection of letters written in a mixture of prose and verse from a female lover to her male partner telling him how to spend his day―with an excerpt from the text. Janet Todd classifies this work as a “free” translation of French La Montre, whereas it was included in the posthumous collection of Behn's writing as one of her original works. Leaving aside the question of the work's legal originality, we claim Lover's Watch deserves proper attention in its own right, for the following reasons. First, it dramatizes and emphasizes the force of writing as a compensation or supplement of absence: the absent lover Iris sending her letter to Damon in lieu of her physical self. Second, it authorizes the female writing subject as the empowered and collected commander: the silent Damon is told what to do, think, and feel by Iris. Third, it flaunts the Christian-apocalyptic discourse of “watch” which defined time as God's sudden retribution: the pleasure of the hour is all that matters in Behn. Last but most crucially, it strongly objects in its hedonism, even as it evinces a fascination with modern mechanical time-measurement, to the industrious utilization of time for capitalist work-discipline.

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