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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
동국대학교 영어권문화연구소 영어권문화연구 영어권문화연구 제6권 제2호
발행연도
2013.1
수록면
5 - 36 (32page)

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This study aims to apply the conception of “event” to William Faulkner's literary works. In Deleuzian theory, the event has the same meaning as the affect and the percept. The direct element to determine the meaning of event can not be presented externally as the vertical and transcendental factor like Idea, but presented internally in the topological relation with the equivalent relations. In other words, Deleuzian event can be defined as a concept that can exist just before cultural stage, more specifically the borderline between nature and culture, into a field that can produce a meaning. In this perspective, Faulkner's literary works show how the various events, affects and percepts, are organized in each characters and how the meaning that these characters are expressing are formed. When we think of each characters as a being in the context of events, their lives shows repetitive structure of their own affect and percept. Thus, each character cannot stand on the position of judgment that construct the order anymore, but become other by experiencing the force(effect) that is constituent of each one's self. In this respect, it is not supposed that they are so much harmonious and unified reality just as a multitude of affects or a ‘refrain’ that repeats the affects. And it is they that are the multitude of bodies, gestures, desires, and motifs. Therefore, they are open to the life-producing in a particular way that is connected with the life, while moving through the life. As a result, we can say that this is the freedom that is also our senses that are created in impersonal dimension.

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