메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
중앙대학교 외국학연구소 외국학연구 외국학연구 제23호
발행연도
2013.1
수록면
249 - 270 (22page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
This paper explores the role and meaning of Hong Kong Cinema in the process of articulation between East Asian regional order and global cultural Cold-War from 1945 to 1960. Hong Kong had been on the border between two ideological camps, the leftist pro-CCP and the rightist pro-KMT Both camps were able to coexist and compete to achieve cultural hegemony not only in Hong Kong, but also in East Asia. The Hong Kong cinema was an critical battle field for media during the cultural Cold War in East Asia. Hong Kong was the only country which had the ability to produce and distribute films into the international film market through an overseas Chinese network in East Asia, especially in Malaysia and Singapore. The formation of the cultural Cold War in Hong Kong film industry was started from the discord and struggle between leftists and rightists who had immigrated from mainland China, especially from Shanghai during the second Chinese civil war. During the 1950s, the outspoken propaganda war had been gradually dismissed and substituted by more commercialized and more covert cultural Cold war.

목차

등록된 정보가 없습니다.

참고문헌 (15)

참고문헌 신청

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0