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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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<Six Daughters> and <The Way to Sampo> were both produced during the time of Part Chung-hee's regime. Both have a journey for their subject matter. However, they take on different perspectives on Developmental Dictatorship enforced by Park Chung-hee's regime. This paper attempt to identify the aesthetic and historical differences of two films. <Six Daughters> being a governmental project, by depicting the results achieved by Developmental dictatorship through an elderly couple's trip take a role of propaganda tool supporting the Developmental Dictatorship. On the contrary, <The Way to Sampo> views the same subject critically through the journey in search of a homeland. The old couple's trip becomes a sightseeing tour as they move around having defined destinations. Three friends of <The Way to Sampo> are more wanderers than tourists. They choose to escape a reality searching for a homeland which is rather a humanist ideal than a place. Through comparing two films, we can see different perspectives on Developmental Dictatorship enforced by Park Chung-hee's regime. In conclusion, while <Six Daughters> can be viewed as empowering of Development Dictatorship's Myth, <The Way to Sampo> attempts to see the realities behind it.
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