지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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Since the turn of 21st century, the term "globalization" is utilized and has become a global trend that is witnessed in many different fields such as politics, economics, society, and culture and art. As the global reputation if Korean culture and art is well recognized, it is essential to understand the globalization of Korean Dance. The dance largely consists of three types - Korean Traditional Dance, New Dance(Shinmuyong) and Korean Creative Dance. This research, based on the history of Korean Dance, studied the procedure of globalization and glocalization of Korean Dance. Particular research question were (1) how did globalization of Korean Dance develop, (2) how can we understand the aspects of globalization of Korean Dance in global and glocal perspectives. Data was gathered through in-depth literature review and documentation.
The result of the data analysis is as follows.
First, the globalization of Korean Dance slowly started during early 1900s with the inflow of Western Dance into Korea. As the inflow accelerated, by Ishii Baku in 1926, the term "glocalization" was evident with Korean Dance combined with the western to create a new form of dance. In the mid 1970s, with the creation of "Korean Creative Dance", the second wave of glocalization was evident.
Second, the aspects of globalization can be understood in the form of Korean Creative Dance's glocalization and diffusing Korean Traditional Dance, New Dance and Korean Creative Dance through globalization.
The process of globalization will only be strengthened through glocal and global terms. Although globalization might play an important role in fostering Koreand Dance, we must not forget our culural identity and the superiority of our spirit and motion.
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