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자료유형
학술저널
저자정보
저널정보
한국조형교육학회 조형교육 조형교육 제35호
발행연도
2009.1
수록면
203 - 229 (27page)

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초록· 키워드

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Interactive Art that formed by the interaction between audiences or the audience and the work exists entirely different way with past. First of all, it is not the representation but the continuous presentation of the creation and re-creation of the de-individualized image. There are no endings. Instant existing forms possess equal value without the hierarchy. It deconstructs the originality of the work while challenging its uniqueness of the aura. The body of the audience awakens the potentiality of the image with its sensor as an interface. This process change from visual to tactile and action involvement proves that the artistic domain has moved from the object to action. And the form is constantly re-created as a participant of the instant communication exchanges and manages the information. Communication among people become the work itself and provide the new art format of ‘the work-communication’. Interactive art brought many changes to the basic elements of the art. It transformed the art from representation to presentation, from single visual sensor to multi ones including tactile and from the eternal format to the instant event. Besides, the position of the artist and the audience also changed followed by the new form. The audience had been promoted to the co-producer who create the meaning and values yet the identity as ‘private-master’ of the artist that of symbolic and social aura had been downgraded. And since the production and exhibition happens in the cyber space, the boundary between the atelier and the museum had been demolished. Therefore the conventional constitution as the artist, the work, the museum, and the collector of the art market also changed. The existing way of interactive art again insists the concept of the art is ‘open’ as it was historically and the artist is capable of deconstructing taboos and pressures within the art and brings artistic and cultural changes through the new format.

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