지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The purposes of this study are to find out what Eun-hee, the protagonist of House of Hummingbird (KIM Bora, 2018), interpellates as a subject, to grasp how Ideological State Apparatuses(ISA) are operated, and to understand the reason why the film set in 1994 is important at the present time. The close textual analysis has been performed with the theoretical frameworks of the educational ISA and the family ISA that the two dominant ISAs suggested by Althusser.
As a result the analysis Ideological State Apparatuses represented by Schools and the Family maintained and reinforced the capitalist ideologies and the mode of production in 1994 through the direct and indirect violence on Eun-hee. Repressive patriarchal ideology and the violence of the state power strongly supported that. The significance of the film can be viewed as following three. The first, House of Hummingbird makes us ruminate on the present educational and family ISA, which have been grown strongly, via Eun-hee’s daily life in 1994. The second, the film make us ask to introspect the historical trauma by means of narrativizing the violence on Eun-hee that is the result of the combination of RSA and ISA, in other words penetration of the state power into everyday life. Finally, the film gives us the strict warning that ISA associated with RSA may annihilate individuals’ free will by representing the death of Young-ji that is the consequence of ruling ideology’s incapacitating anti-ideological forces, in other words, the state power’s eliminating resistant individuals.
As a result the analysis Ideological State Apparatuses represented by Schools and the Family maintained and reinforced the capitalist ideologies and the mode of production in 1994 through the direct and indirect violence on Eun-hee. Repressive patriarchal ideology and the violence of the state power strongly supported that. The significance of the film can be viewed as following three. The first, House of Hummingbird makes us ruminate on the present educational and family ISA, which have been grown strongly, via Eun-hee’s daily life in 1994. The second, the film make us ask to introspect the historical trauma by means of narrativizing the violence on Eun-hee that is the result of the combination of RSA and ISA, in other words penetration of the state power into everyday life. Finally, the film gives us the strict warning that ISA associated with RSA may annihilate individuals’ free will by representing the death of Young-ji that is the consequence of ruling ideology’s incapacitating anti-ideological forces, in other words, the state power’s eliminating resistant individuals.
목차
Ⅰ. 문제제기
Ⅱ. 이데올로기적 국가 장치
Ⅲ. 벌새로 주체화하기: 자본주의 이데올로기의 호명
Ⅳ. 결론
참고문헌
Abstract
참고문헌 (18)
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