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Rhetoric of Scientific Textbooks: A Rhetorical Criticism of the Textbooks of Musical Acoustics in the Late Nineteenth and Early Twentieth Century Great Britain
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과학 교재의 수사학 - 19세기 말 20세기 초 영국의 음악 음향학 교재의 수사 비평 -

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Type
Academic journal
Author
Ku, Ja-Hyon (영산대학교)
Journal
The Institute of the Humanities Journal of the Humanities No.83 KCI Accredited Journals
Published
2018.6
Pages
75 - 102 (28page)

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Rhetoric of Scientific Textbooks: A Rhetorical Criticism of the Textbooks of Musical Acoustics in the Late Nineteenth and Early Twentieth Century Great Britain
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Abstract· Keywords

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Employing Kenneth Burke’s pentad method and Lloyd Bitzer’s conception of the rhetorical situation, this paper attempts a rhetorical criticism of the textbooks of 1musical acoustics published in Great Britain during the late nineteenth and early twentieth centuries. Burke suggested the pentad of act, agent, scene, agency, and purpose for the analysis of motives, and Bitzer tried to examine the rhetoric of persuasion by means of the rhetorical situation which consists of exigence, audience, and constraints. The textbooks for the analysis are Helmholtz’s Sensations of Tone, Broadhouse’s Musical Acoustics, Harris’s Handbook of Acoustics, and Buck’s Acoustics for Musicians. Through the analyses, The Sensations of Tone which did not get favorable response from the textbook readers made the situation in need of the publication of optimized textbooks of musical acoustics like Musical Acoustics and Handbook of Acoustics. Afterwards, Acoustics for Musicians appeared in order to supplement the mathematical basis laking in these textbooks.

Contents

국문초록
1. 머리말
2. 방법론적 고찰
3. 역사적 배경
4. 텍스트에 대한 수사학적 분석
5. 맺음말
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