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A Study on the Characteristics of Surrealism in the Works of Peeping Tom Dance Company ? Focusing on ?Vader?, ?Moeder?and ?Kind?in the Family Trilogy ?
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피핑톰 무용단의 작품에 나타난 초현실주의 특성에 관한 연구 - 가족 3부작 작품 ?아버지?, ?어머니?, ?아이?를 중심으로 -

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Type
Academic journal
Author
Wang Zi-Mo (중앙대학교) Cho Eun-Sook (중앙대학교 예술대학 무용전공 교수)
Journal
한국무용예술학회 무용예술학연구 무용예술학연구 제81권 제1호 KCI Accredited Journals
Published
2021.1
Pages
41 - 55 (15page)

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A Study on the Characteristics of Surrealism in the Works of Peeping Tom Dance Company ? Focusing on ?Vader?, ?Moeder?and ?Kind?in the Family Trilogy ?
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In order to study the surrealism in the Family Trilogy of the Peeping Tom Dance Company, this research centers on the video materials and literature materials of these three works. The Peeping Tom dance troupe in this study has been conveying a certain message to the audience through a surreal expression. The work ?Vader? expresses the real human heart and the surrealism of desire through the combination of realistic and non-realistic dream scenes. ?Moeder? also uses the combination of reality and non-reality to create a dream-like stage atmosphere. In addition, the work ?Kind? also makes use of irrational violent scenes to show the audience an irrational surrealism stage scene that breaks away from moral constraints. This examination illuminates the Family Trilogy has the characteristics of surrealism, and also reflects the influence of surrealism on the style of dance works and has long-term significance for future dance creation.

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