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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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In this paper, it tries to utilize the principle of “knowing both the author and his time” and“literary standard” toinvestigate the most reasonable explanations for the verses“qǐ wǔ nòng qīng yǐng, hé sì zài rén jiān. ”written by Su Shi. In the part of the principle of “knowing the author and his time” tends to respetively carry on textual criticism to “Su Shi and Mi Zhou”, “Su Shi and Chao Rantai”, accordingly, it explains the reappearance of the specific context in which the poem was created, and that was in the Mid autumn night in 1076, Su shi , zhao gaoqing and other guests were drinking and chatting in the gazebo named “Chao Rantai”, hearing that kong zhouhan was on the way to his post in mizhou, and there was a guest who was chanting a wall-scribed poem written by kong zhouhan five years ago, then Su Shi wrote ＜two poems to respond to Luren Kong Zhouha n＞, in the poem, Su shi made use of Meng Haoran’s descriptions of “frightened magpie”to compare to his situation. At Mid-Autumn night, the full moon in the sky, although can drink with friends, inevitably missing his younger brother, which can not meet with each other in the same place. These emotions was touching Su Shi to the creation of the ＜Prelude To Water Melody⋅How long will the full moon appear ＞. In the part of “literary standard”, it tries to deduce and demonstrate the reasonable interpretation of ambiguous verses by combining the internal relations of diction, artistic conception and art of composition. Depending on diction, it can be speculated that the dancing place should be on the earth.“he si”should be explained as “where is like” ; From the aspect of artistic conception more positive findings show that the dancing place is on the earth. This paper puts forward a hypothesis from the aspect of art of composition that Su Shi reversed the order of the sentence in order to rhyme, and demonstrate the two above possibilities respectively by combining the art of composition of the whole poem. And then come up with the final conclusion, that is, from my point of view, the most proper explanation that consistent with the poem’saesthetic art should be “I feel no longer dancing below the moon in the world, I rise and dance with my shadow”.
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