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논문 기본 정보

자료유형
학술저널
저자정보
김도형 (서울기독대)
저널정보
한국구약학회 구약논단 구약논단 제28권 제2호 통권84집
발행연도
2022.6
수록면
43 - 76 (34page)

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초록· 키워드

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It has been more than two years since the COVID 19 virus entered the world as a worldwide pandemic. In the meantime, Korea’s most popular K-Pop boy bands known as BTS (Bulletproof Boys) topped the Billboard Hot 100 for the first time as well as breaking a new record in the history of the music industry. In addition, the Korean culture has achieved breakthrough popularity and development in various fields, such as dance, Parasite the movie, and Korean Netflix dramas, the Squid Game. This cultural syndrome-like phenomenon was never familiar in Korea until recently. However, such a cultural phenomenon has proved that the most Korean thing has now become a global phenomenon. This further means that the unfamiliar phenomenon in our society has become a familiar phenomenon.
Genesis is a book familiar to readers who read the Bible. This contains numerous aspects of life, including God’s creation of humankind as well as the creation of heaven and earth, sin and death, obedience and disobedience, betrayal and reconciliation, crisis and opportunity. However, the beauty of Genesis is that it can be fully conveyed from a modern perspective not only through discovering these aspects, but also through the newly approaching literary device of “Ostraneniye.” The content of Genesis contains transcendence in addition to historicity, and leads to probe as to how the reader understands that there are several complex elements including anachronic expressions and materials. Therefore, this study claims that Genesis was written as a story through a narrative methodology. It was constructed with a well-organized sequence. The book of Genesis in its overall rhythm is a meta- narrative in a form of macroscopic perspective within the Old Testament Primary Narrative(Genesis~2Kings). Genesis is a book comprising narrative elements, which contains rich contents that are familiar to modern readers, but suitable for the upcoming Metaverse era as well.

목차

1. 들어가면서 - BTS와 한국의 리듬, 그리고 창세기
2. 창세기 해석에 관한 이해의 지평 찾기 - 내러티브와 스토리텔링
3. 제1내러티브(창~왕하) 안에서 창세기의 위치와 의미
4. 창세기 내러티브의 재구성과 스토리텔링-‘익숙함과 낯섦’
5. 나오면서 - 창세기의 리듬을 느끼라
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