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논문 기본 정보

자료유형
학술저널
저자정보
김선재 (상명대학교)
저널정보
한국근대영미소설학회 근대영미소설 근대영미소설 제28권 제3호
발행연도
2021.12
수록면
5 - 27 (23page)

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This paper focuses on the ways in which the interior designs of the three different rooms in Wilkie Collins’s Hide and Seek (1861) are represented. My claim is that Victorian males in the novel explore their redundant desires and imagine a way out of the Victorian social role by indulging in decorating their rooms with eccentric objects. I also focus on Mrs. Blyth’s room, which Valentine Blyth intentionally creates for her from their newlywed days. The life of Mrs. Blyth, a disabled woman, is forcefully entangled with the room which is filled with all kinds of knick-knacks and unique furnishings. Alongside Madonna, a deaf-and-dumb girl, who Valentine adopts as their daughter, Mrs. Blyth is sublimated into an objet d’art and on display in this gallery-like room. The room is a space where all the furnishings and works of art allow the two disabled women to stand out and be more appreciated by visitors. I claim that Valentine’s creativity revealed through his establishment of extraordinary domestic spaces is supported by the novel. I importantly refer to the notion of disorientation suggested by Sarah Armed in Queer Phenomenology to demonstrate the power of queer interior that distorts and questions the frame of the interrelation between Victorian domesticity and female agency.

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