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논문 기본 정보

자료유형
학술저널
저자정보
김선옥 (원광대학교)
저널정보
대한영어영문학회 영어영문학연구 영어영문학연구 제47권 제4호
발행연도
2021.11
수록면
1 - 21 (21page)
DOI
10.21559/aellk.2021.47.4.001

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초록· 키워드

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This study aims to explore the abnormal human psychology called ‘perverseness’ and the action of guilt in Edgar Allan Poe’s “The Black Cat” from the psychoanalytic perspective. In the process of meeting the ideal masculinity required in the 19th-century patriarchy, the narrator of “The Black Cat” performs excessive masculinity and pursues the desire to violate the law of the Symbolic order in a perverted way. However, after committing a ‘sin’ of abusing and killing his beloved cat he does not remain a Lacanian subject pursuing forbidden desires at any cost and pain. Instead, caught up in the fear caused by the unconscious guilt after facing the second cat that seems to be possessed by the first cat’s ghost, he becomes almost a neurotic, eventually killing his wife and destroying himself. Although he shows psychopathic tendencies in carefully hiding the body after murdering his wife, the strange urge to expose his crime can be seen as a self-destructive punishment given by the collaboration between the Superego, the agent of conscience and morality, and the aggressive and impulsive Id. In short, the ‘perverseness’ revealed by the narrator of “The Black Cat” not only has a trait of the Lacanian desire for ‘the Thing’ existing beyond the Symbolic order, but also contains a strong impulse to punish the subject himself through the unconscious guilt, which represents the complex and dynamic human psyche explored by Freud.

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