메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
이진 (명지대학교 영문학과)
저널정보
한국기호학회 기호학 연구 기호학 연구 제73권
발행연도
2023.4
수록면
89 - 116 (28page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
In Shakespeare’s A Midsummer Night's Dream, Nick Bottom is the only one in the play who was physically transformed and who experienced all the different worlds, such those of the Athenian nobility, the mechanicals, and the fairies. Due to his experience as a weaver, an actor, and the Fairy Queen’s beloved with an ass’s head, Bottom shows his free and daring, mirthful, and complex attitudes in all the worlds. As an actor and a reader, he deconstructs the conventional borders between author and reader, actor and audience. As a result, he changes the genre of the play Pyramus and Thisbe and deconstructs the conventional opposition between tragedy and comedy. He also deconstructs the opposition between imagination and reality and on the whole weaves the discordances among the different stories into concord. Like his name and occupation, he becomes a significant bottom (foundation) and a weaver who makes the seemingly discordant stories and worlds concordant and united. While semiotic reading of A Midsummer Night's Dream would be helpful to understand Bottom’s unique characteristics, only a few articles have taken such approach to the play. In this article, I will use Derrida’s deconstructionist approach, Keir Elam’s semiotic analysis of theater and drama, and Robert E. Innis’s notion of representation as a self-recognition to understand Bottom’s attitudes and roles in A Midsummer Night's Dream.

목차

등록된 정보가 없습니다.

참고문헌 (0)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0