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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2023.12
- 수록면
- 25 - 57 (33page)
- DOI
- 10.14431/aw.2023.12.39.4.25
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초록· 키워드
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This article adds to the existing literature on the distorted representation of Muslim women in a fictional world. It is distinctive in its approach, in that it explores the clichéd representation of Muslim women by Anglophone writers who claim to have better access to reality because of their ethnic background. This incomplete picture is deficient in many respects, but the focus of this paper is on two main categories: first, the medievalists’ resonance of charming white Saracen and repulsive black Saracen women in Pakistani Anglophone fiction, and second, the radical exclusion of an inspiring religious Muslim woman from the fictional world. We merged the theory of social actor (SA) representation by Van Leeuwen (2008) with corpus methodology to analyze Aslam’s Maps for Lost Lovers (2004) and The Blind Man’s Garden (2013). The research concludes that the basic plot of the selected novels has only three types of Muslim women: a miserable woman resonating with Saracen, a salacious Saracen full of hatred for her community, and a distressed demirep in need of rescue. The research concludes that the latter two categories are an amalgamation of the medieval fantasy woman known as the white Saracen. This research calls for attention to this specific type of oppressive writing practice targeting Muslim women by erasing the category of inspiring Muslim women from all kinds of discourses.
목차
Abstract
Introduction
Literature Review
Methodology
Analysis and Discussion
Conclusion
References
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