지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
The purpose of this thesis is to examine the meaning in a series of self-conscious short stories of Lee, Tae-Joon in late 1930s. The early writings of Lee, Tae-Joon begin with "Kamakwee"(The Crow) in late 1930s, are connected with "Jangma"(The Rainy Season), "Paikanglang(浿江冷), and The "Toki-iyagy"(The Story of a Rabbit). And in early 1940s or "Sanyang"(The Hunting), "Sukyang"(The Evening Sun), and "Mooyeun"(無緣) are published. These works are remarkable in consisting a turning-point of the whole literary life of the writers.
"Kamakwee" is the beginning of a series of writing that the writer shows in late 1930s. In this work, the writer finds the new capability of his life, against the Japanese Imperialism, to be born again as an artist. This consciousness as an artist shows by pursuing the aestheticism that intends to the harmony of life and art. "Jangma" symbolically describes the rise of fascism, threatens the existence of individual, and the lethargy of the writer who unwillingly gazes on that fact. This work is also remarkable that it shows the desire for escape from the oppressive power of a modern colony.
In "Paikanglang" and "Toki-iyagy", the writer describes the hero who lost his capability for life which he desires against the colonial Chosun in time of war. These heroes are isolated into the world of disrupt self-consciousness for they cannot be an intellectual or be an artist. In "Sanyang", the writer begins to show the process of the return of the self, and it is related with the motif of escape from Kyungsung, the capital of colonial empire.
And the journey motif is repeated also in "Sukyang", so the writer's desire of escape is clearly appeared. The exterior real world is a space of secular meaning and a place to e~ape for the world of absolute value which is hidden inside the self. In this point, "Sukyang" shows the disillusioned romanticism In "Mooyeun", however, in a moment, this emotion of disillusion changes into the emotion of renunciation. The stage of renunciation in "Mooyeun" also means the return to the inner life, but it is important for the fact that there is no confrontation in the stage of renunciation. In this point, the writing of writer couldn't be continued.
The motive of the works of Lee, Tae-Joon begins from late 1930s, is consisted by the oppression from the outside, so his works take the way of searching for self by the rise of fascism. He finds his own way in coming back to the world of an artist, to stand against the shadow of the dark age which suppresses himself. The problematics of Lee, Tae-Joon during the late 1930s is from the fact that he solve these themes in his own ways. He expresses the desire of resistance and escape by the self-reflected writings. And it is proposed by the process of the escape to Pyongyang and Kyungju, from Kyungsung where the power of colonial empire exists.
"Kamakwee" is the beginning of a series of writing that the writer shows in late 1930s. In this work, the writer finds the new capability of his life, against the Japanese Imperialism, to be born again as an artist. This consciousness as an artist shows by pursuing the aestheticism that intends to the harmony of life and art. "Jangma" symbolically describes the rise of fascism, threatens the existence of individual, and the lethargy of the writer who unwillingly gazes on that fact. This work is also remarkable that it shows the desire for escape from the oppressive power of a modern colony.
In "Paikanglang" and "Toki-iyagy", the writer describes the hero who lost his capability for life which he desires against the colonial Chosun in time of war. These heroes are isolated into the world of disrupt self-consciousness for they cannot be an intellectual or be an artist. In "Sanyang", the writer begins to show the process of the return of the self, and it is related with the motif of escape from Kyungsung, the capital of colonial empire.
And the journey motif is repeated also in "Sukyang", so the writer's desire of escape is clearly appeared. The exterior real world is a space of secular meaning and a place to e~ape for the world of absolute value which is hidden inside the self. In this point, "Sukyang" shows the disillusioned romanticism In "Mooyeun", however, in a moment, this emotion of disillusion changes into the emotion of renunciation. The stage of renunciation in "Mooyeun" also means the return to the inner life, but it is important for the fact that there is no confrontation in the stage of renunciation. In this point, the writing of writer couldn't be continued.
The motive of the works of Lee, Tae-Joon begins from late 1930s, is consisted by the oppression from the outside, so his works take the way of searching for self by the rise of fascism. He finds his own way in coming back to the world of an artist, to stand against the shadow of the dark age which suppresses himself. The problematics of Lee, Tae-Joon during the late 1930s is from the fact that he solve these themes in his own ways. He expresses the desire of resistance and escape by the self-reflected writings. And it is proposed by the process of the escape to Pyongyang and Kyungju, from Kyungsung where the power of colonial empire exists.
목차
1. 서론
2. 별장에서의 글쓰기 : 어떤 예술가 의식의 기원
3. 식민지 근대의 포획력과 산책자의 시선
4. 환멸의 생성과 소멸
5. 결론
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
식민지시대 세대논쟁 연구 －문학제도의 물질적 조건을 중심으로－
우리문학연구
2004 .12
-
An L2 Writer's Development Over Time
새한영어영문학회 학술발표회 논문집
2011 .10
-
박경리 작품에 나타난 죽음과 생명의 관계
현대소설연구
2002 .12
-
The Writer and the Reader
Korea Journal
1969 .04
-
"이태준 소설의 텍스트 문제
국어국문학
1994 .05
-
모더니즘 소설의 영화 기법-박태원을 중심으로
비평문학
2004 .11
-
The Ecology of the Writer and James Joyce
제임스조이스 저널
2010 .01
-
재북 시기 리태준의 문필 활동 실증
외국문학연구
2016 .02
-
국어 교육에서 ‘창작 의도’를 다루는 방식에 대한 비판적 고찰
한국학연구
2017 .09
-
『徽文』의 李泰俊
한국학연구
2009 .11
-
『새로운 로빈슨』(Новые Робинзоны)에 나타난 ‘탈주’의 양상 고찰
세계문학비교연구
2008 .01
-
체호프와 이태준의 소설에 나타난 지식인들의 (내면)세계 : 작가의 자기 고백적 소설을 중심으로
슬라브학보
2006 .09
-
한국 근대문학사에 나타난 이주(migration)의 의미 — 작가의 전향 문제와 관련하여
세계문학비교연구
2009 .01
-
「金講師와 T敎授」에 내재된 지식인의 욕망 연구
어문학
2004 .03
-
The Writer as An Independent Spirit in Korea
Korea Journal
1966 .06
-
『국민문학』의 일본인 작가와 식민지 표상
우리말글
2011 .12
-
쑤퉁(蘇童) 소설의 여성상
중어중문학
2003 .06
-
‘한학자’ 김태준에 대하여 - 經學院 直員·明倫學院 講師 재직 10년간
동방학지
2019 .01
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-810-013765547