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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
It goes without saying that the Moon Ship in Hitomaro's poetry has a unique mythological meaning. Therefore this thesis aims at the specific study through the analysing the description on the mythology related of the songs of the weaver and the mythological profundity of the view of spirit & universal mystery in its work.
So above all, the big question in Hitomaro's songs of the weaver is that the messenger of the Moon should appear as the scenery of the heavens. To know the answer for that, as examples like「券第四天部四(the Vol.4. section 4 of Heaven)」and「月蝕附(the paragraph of Lunar eclipse )」in 『太平御覽(Taipingyulan)』, we can find the records,「the moon rises again after its death , and "the sun and the moon are the messengers of sky"」a star is composed of the meaning of water, and the moon is composed of the meaning of lunar atmosphere.
On such a ground of the principle and philosophy, the Hitomaro's the songs of weaver is composed of the story in the relationship with Altair and weaver, in which the Altair is passing by the messenger on the Moon Ship, and the weaver is taking it.
In other words, just as plant originates the valuable soul with seed, the Moon Ship's appearing in this work can make us reach the core of the mythology which can be called impersonated god as the production god.
Ultimately Hiromato's designing of the Moon Ship as the month person has the original concept about mythology in his work. On the contrary, later in Tanabata songs from anonymous writer, we can draw a deduction that the effort by rhyming in 7-5 meter made the
meaning twisted with the Moon as a sophisticated man on moon.
From the above point, we can see the reason why the Moon's image in Hitomaro's work can be concluded into the water mood, lunatic moon. In other words, originally the moon has been considered as the characteristically mysterious power of goddess that manages the rebirth of the universe.
Keeping the attribute of its inner part, the main reason that Hitomaro takes the Moon as the heavenly messenger is that the immortality of the soul described in the Moon Ships has both the fundamental meaning of the essence of making the universe and the divinity as the mythological conceiving point. Therefore in detail, Hitomaro started making his Tanabata songs in the premise that the moon can be regarded as the messenger. In more concrete approach about the role of the Moon Ships, we can discover the original source in the myth, Seo Wang Mo, in which the movement of the stars in the sky goes like the story of loom.
In the myth in Japan, there is a passage that there is a temple that is weaving the god of the sun. This passage represents the god of Amaterasuoo as the person who is weaving on the loom. This points out that Amaterasuoo is very closely connected with the god's marriage story with god of sun and vestal virgin.
Meanwhile we can analogize the reality of essence the Moon Ship and god of Skunabykona in the examples such as 「bird ship」which transformed to birds, the story having a relationship with Toad after coming on the ship of Metaplexis Japonica Makino. It means that the son of the god of production which belongs to the maternal line is described as the soul that has the divinity representing the birth of the universe. Thinking collectively the identity of the moon ship, we can come to the conclusion that Hiromato's Moon Ship has not only the universe philosophy of the ancient China, but the important role of the earthly world as the messenger of the moon.
So above all, the big question in Hitomaro's songs of the weaver is that the messenger of the Moon should appear as the scenery of the heavens. To know the answer for that, as examples like, we can find the records,「the moon rises again after its death」and "the sun and the moon are the messengers of sky" a star is composed of the meaning of water, and the moon is composed of the meaning of lunar atmosphere.
So above all, the big question in Hitomaro's songs of the weaver is that the messenger of the Moon should appear as the scenery of the heavens. To know the answer for that, as examples like「券第四天部四(the Vol.4. section 4 of Heaven)」and「月蝕附(the paragraph of Lunar eclipse )」in 『太平御覽(Taipingyulan)』, we can find the records,「the moon rises again after its death , and "the sun and the moon are the messengers of sky"」a star is composed of the meaning of water, and the moon is composed of the meaning of lunar atmosphere.
On such a ground of the principle and philosophy, the Hitomaro's the songs of weaver is composed of the story in the relationship with Altair and weaver, in which the Altair is passing by the messenger on the Moon Ship, and the weaver is taking it.
In other words, just as plant originates the valuable soul with seed, the Moon Ship's appearing in this work can make us reach the core of the mythology which can be called impersonated god as the production god.
Ultimately Hiromato's designing of the Moon Ship as the month person has the original concept about mythology in his work. On the contrary, later in Tanabata songs from anonymous writer, we can draw a deduction that the effort by rhyming in 7-5 meter made the
meaning twisted with the Moon as a sophisticated man on moon.
From the above point, we can see the reason why the Moon's image in Hitomaro's work can be concluded into the water mood, lunatic moon. In other words, originally the moon has been considered as the characteristically mysterious power of goddess that manages the rebirth of the universe.
Keeping the attribute of its inner part, the main reason that Hitomaro takes the Moon as the heavenly messenger is that the immortality of the soul described in the Moon Ships has both the fundamental meaning of the essence of making the universe and the divinity as the mythological conceiving point. Therefore in detail, Hitomaro started making his Tanabata songs in the premise that the moon can be regarded as the messenger. In more concrete approach about the role of the Moon Ships, we can discover the original source in the myth, Seo Wang Mo, in which the movement of the stars in the sky goes like the story of loom.
In the myth in Japan, there is a passage that there is a temple that is weaving the god of the sun. This passage represents the god of Amaterasuoo as the person who is weaving on the loom. This points out that Amaterasuoo is very closely connected with the god's marriage story with god of sun and vestal virgin.
Meanwhile we can analogize the reality of essence the Moon Ship and god of Skunabykona in the examples such as 「bird ship」which transformed to birds, the story having a relationship with Toad after coming on the ship of Metaplexis Japonica Makino. It means that the son of the god of production which belongs to the maternal line is described as the soul that has the divinity representing the birth of the universe. Thinking collectively the identity of the moon ship, we can come to the conclusion that Hiromato's Moon Ship has not only the universe philosophy of the ancient China, but the important role of the earthly world as the messenger of the moon.
So above all, the big question in Hitomaro's songs of the weaver is that the messenger of the Moon should appear as the scenery of the heavens. To know the answer for that, as examples like, we can find the records,「the moon rises again after its death」and "the sun and the moon are the messengers of sky" a star is composed of the meaning of water, and the moon is composed of the meaning of lunar atmosphere.
목차
<要 旨>
1 序言
2 달 배의 靈感과 七夕의 宇宙觀
3 배(船)가 內包하는 意味와 神話性
4 달 배의 生成原理와 靈魂觀
5 맺음말
參考文獻
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