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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This thesis is to inquire into how Toegye's sentiment is projected into moon, making the 199 poems whose subject matter is the moon among the poems in Toegyeseonsaengmunjip. The results of this study are as follows.
Firstly, Toegye do not see the moon as a projection of sentiment. He sees the moon by a viewpoint of a Taoistic scholar. Both a Confucian will to practice his ideal and the exquisite principle of heavenly order is put the finishing touches on his poems whose subject matter is the moon. In reflection of actual matters, he emphasizes the perfection of internal virtue rather than reveals the actual problems at it is.
Secondly, he reveals his sentiment sincerely not as a Taoist but as an individual man by way of the poems. Taking the moon as the medium of empathizing his object of longing, he shows grief, sorrow, longing, and yearning condensely.
Thirdly, he shows consciousness of transcending the actual, and shares his joy with nature. The moon in his poems stands for a sphere of Taoistic world. However, it is presented not as a sphere in which transcends the actual, but as Confucian ideal world. On the other hand, he steps into a stage of sharing the joy by communicating and integrating with things of nature by way of a spacial setting of the moon.
Firstly, Toegye do not see the moon as a projection of sentiment. He sees the moon by a viewpoint of a Taoistic scholar. Both a Confucian will to practice his ideal and the exquisite principle of heavenly order is put the finishing touches on his poems whose subject matter is the moon. In reflection of actual matters, he emphasizes the perfection of internal virtue rather than reveals the actual problems at it is.
Secondly, he reveals his sentiment sincerely not as a Taoist but as an individual man by way of the poems. Taking the moon as the medium of empathizing his object of longing, he shows grief, sorrow, longing, and yearning condensely.
Thirdly, he shows consciousness of transcending the actual, and shares his joy with nature. The moon in his poems stands for a sphere of Taoistic world. However, it is presented not as a sphere in which transcends the actual, but as Confucian ideal world. On the other hand, he steps into a stage of sharing the joy by communicating and integrating with things of nature by way of a spacial setting of the moon.
목차
1. 序論
Ⅱ. 退溪詩 所在 ‘달’ 分類
Ⅲ. 道學理念과 現實反映
Ⅳ. 人間的 情懷의 表出
Ⅴ. 超越과 同樂
Ⅵ. 結論
【參考文獻】
〈Abstract〉
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UCI(KEPA) : I410-ECN-0101-2010-001-001908249