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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국현대문학회 한국현대문학연구 한국현대문학연구 제7집
발행연도
1999.12
수록면
267 - 292 (26page)

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초록· 키워드

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This thesis aimed to study the rhetoric in Cho Hyang literary theory. The rhetoric of Cho Hyang has relation with a methodology of the modem poetry, precisely. with a methodology of the surrealism poetry.
It is mostly composed of the discussion on the tropes. Cho Hyang explained the tropes centering around the metaphor. But he also made mention of a conceit and an irony. when he explained a method of the modem poetry. On the whole. his rhetoric rests on the New Criticism. 'which aims at a sort of an organicism. It is necessary that it runs counter to his explanation of the modem poetry.
When Cho Hyang explained a rhetoric of the surrealism. he criticiszed the New Criticism. Particularly, he criticised I. A. Richards who considered the metaphor of surrealism as that of comparison. Cho Hyang mentioned that I. A. Richards could not understand the surrealism. that he could not explain the metaphor of the surrealism.
On the other hand. Cho Hyang commented the symbolism in the dream which Freud theorized. He explained it in detail. accepted as a rhetoric of the surrealism. But he could not make a profound study on the rhetoric of the surrealism. because he explained it placing the focus on the list about the dream symbol rather than on the symbolization of dream.
As a result, the rhetoric of Cho Hyang is a discussion that merits our sober reflection. But including only a figure of the word, a trope of the word, it excluded the local phenomena of sentence structure and style which a poetics treats.

목차

1. 서론

2. 현대시 수사학의 전개

3. 초현실주의 문학의 수사학

4. 결론

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ABSTRACT

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UCI(KEPA) : I410-ECN-0101-2009-810-014537683