지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This thesis is aimed to reconsider the characteristics of Hyang-ga, known as a sort of Korean classical poetry, through looking into the perception of it as a means to communicate and analyzing contexts and aspects of the practical communication. The existing Hyang-ga works of Silla Dynasty was used as a means to communicate with divine beings or members of ruling group by people who could not communicate without Hyang-eo (鄕語), a sort of native Korean language. Therefore, the relationship of addressers and addressees was characterized as a vertical and upward one. Although the ruling groups were capable of using Han-eo (漢語), Chinese language, they made Hyang-ga for those who did not know Chinese language because the ruling groups had trust in the power of Hyang-ga as a way to communicate with divine beings or ruling groups. This showed they held the belief that Hyang-ga had as much power to communicate with divine beings as Chinese language poetry. However, it is difficult to find that Hyang-ga was used as a communicative means among the members of ruling groups and literary intellectuals who had a good command of Chinese language. This shows that Hyang-ga was not universal among the ruling class or literary intellectuals. In this point, it is concluded that we should consider Hyang-ga to have a social and cultural basis quite different from Sijo (時調). This conclusion means it is necessary to reconsider whether the current general understanding of Hyang-ga, Goryeo-gayo (高麗歌謠), Ak-jang (樂章), etc. is valid.
목차
1. 서론
2. 소통 수단으로서의 향가
3. 향가의 소통 방식과 양상
4. 결론
참고문헌
[Abstract]
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UCI(KEPA) : I410-ECN-0101-2014-810-000594735