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It can be said when we consider the copies sold in the decade 1860-1870, compared to those sold in Wordsworth's lifetime that his poetry was, in fact, saved from the threat of oblivion in the Victorian age. The industrialized capitalistic society needed "a joy, a consolation, and a hope" the sage's poetry could provide to the intellectually impoverished middle-class readership. And it extracted in his poetry the ideology of Nature Wordsworth had already accomplished in there in the form of the "Romantic ideology," as Jerome McGann termed it. This paper tries to analyze the ideological formations in Wordsworth's poetry with the concepts of Nature J.-J. Rousseau and Thomas Malthus developed in Emile and An Essay on the Principle of Population respectively.
Wordsworth's idea of Nature implicates a highly complicated complex of meanings in its contemporary political, economic and social contexts. This paper makes efforts to unravel the convoluted state of the idea by perusing the works of those two writers contemporary with Wordsworth. The close reading of Wordsworth's poetry in this way can reveal the discursive formations that constituted the Bourgeois consciousness at the turn of the 19th century, when a watershed divided the pre-capitalistic from the capitalistic society. In this paper, however, the attention was confined to the process of the overdeterminations of the idea of Nature in Wordsworth's poetry in the dialectic of the two contradictory traditions of Enlightenment and Counter-Enlightenment.
Wordsworth's idea of Nature implicates a highly complicated complex of meanings in its contemporary political, economic and social contexts. This paper makes efforts to unravel the convoluted state of the idea by perusing the works of those two writers contemporary with Wordsworth. The close reading of Wordsworth's poetry in this way can reveal the discursive formations that constituted the Bourgeois consciousness at the turn of the 19th century, when a watershed divided the pre-capitalistic from the capitalistic society. In this paper, however, the attention was confined to the process of the overdeterminations of the idea of Nature in Wordsworth's poetry in the dialectic of the two contradictory traditions of Enlightenment and Counter-Enlightenment.
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UCI(KEPA) : I410-ECN-0101-2009-840-015184515