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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2002.2
- 수록면
- 103 - 128 (26page)
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In the I. F. Note to the “Immortality Ode,” Wordsworth states that he “was often unable to think of external things as having external existence.” His poetry in general was assumed to be the records of his struggles to extricate himself from “this abyss of idealism” and the “Ode” was said to be the monument to his victory over the solipsistic state.
This paper tries to develop the thesis that Wordsworth’s phenomenology of the Mind expressed in The Prelude, especially in Book 13 was rather the result of his anxiety about the separation from Nature, not his restoration from the “new idolatry” of the French Ideology of Reason. From this perspective, Wordsworth’s love of Nature can be regarded as his regressive fixation he cannot overcome, rather than as “abundant recompense” for the “loss” of “all its aching joys” and “all its dizzy rapture” he experienced in Nature during his childhood.
Wordsworth’s strategic withdrawal from the heavy burden of the political, social, and historical dislocations in 1790’s after the French Revolution distorts his sense of reality, achieving, in Alan Liu’s term, the “imperialism of Mind” (The Sense of History 211). In this reading, the poet’s epiphanic experience on Snowden bears witness to the Romantic ideology that “such dislocations can only be resolved beyond the realm of immediate experience, at the level of the mind’s ideas or the heart’s desire” (McGann, The Romantic Ideology 69).
This paper tries to develop the thesis that Wordsworth’s phenomenology of the Mind expressed in The Prelude, especially in Book 13 was rather the result of his anxiety about the separation from Nature, not his restoration from the “new idolatry” of the French Ideology of Reason. From this perspective, Wordsworth’s love of Nature can be regarded as his regressive fixation he cannot overcome, rather than as “abundant recompense” for the “loss” of “all its aching joys” and “all its dizzy rapture” he experienced in Nature during his childhood.
Wordsworth’s strategic withdrawal from the heavy burden of the political, social, and historical dislocations in 1790’s after the French Revolution distorts his sense of reality, achieving, in Alan Liu’s term, the “imperialism of Mind” (The Sense of History 211). In this reading, the poet’s epiphanic experience on Snowden bears witness to the Romantic ideology that “such dislocations can only be resolved beyond the realm of immediate experience, at the level of the mind’s ideas or the heart’s desire” (McGann, The Romantic Ideology 69).
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UCI(KEPA) : I410-ECN-0101-2009-840-015214689