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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국현대문학회 한국현대문학연구 한국현대문학연구 제18집
발행연도
2005.12
수록면
425 - 453 (29page)

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초록· 키워드

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There are largely three theoretical approaches toward lyric poetry. The first one is by whom and how the nature of lyric poetry is explained, and another is what should be considered important in the theories of lyric poetry. The third is the form of expression.
Meanwhile, a unity of the object of poem and poetic self has been viewed as one of the primary characteristics of lyric poetry, but it's now argued that the object of poem and poetic self could be separable from each other. However, the way of looking at the nature of lyric poetry remains unchanged. That is, lyric poetry has continued to be called the world of self. In the case of the form of expression, however, the object of poem and poetic self are separated from each other, while they had been unified in the past. Dieter Lamping suggests individual utterance through verses as the form of expression of lyric poetry.
What's noted in the theories of lyric poetry is the world of self. What one intends to write about and in what form it should be expressed are determined by his or her self. As the structure of lyric poetry depends on the role of self, what spirits one plans to embody and in what form they could be represented are chosen by self. As a consequence, how to look at the nature of self is important in the theories of lyric poetry.
Concerning the form of expression, there have been a lot of restricted views of it, but some take a comprehensive view of it by embracing multiple forms of expression. The purpose of this study was to discuss the form of expression of lyric poetry, especially how poems with different form of expression could be explained as a lyric from a comprehensive standpoint.

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1. 머리말

2. 서정시의 정체

3. 서정시 이론의 변천

4. 맺음말

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