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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This paper is concerned with comparative exploration into musical characteristics between Korean and Chinese farming songs. Several districts of Anhui and Hubei province in China had been visited, and among approximately 200 rice farming songs, typical ones of each area were selected and analyzed, through which the musical characteristics of Chinese farming songs were able to be elicited. The fruits derived from this process were compared with those of Korean farming songs, whose musical characteristics could be referred to previous researches.
Some important comparison points in order to reach conclusions are range and register which are related to pitch, mode related to tonal system and cadence, rhythmic structure in relation to tempo and meter, singing style, accompanied instruments, and so on.
The similarities of farming songs between China and Korea are tonal system, range, singing style, and usage of instruments, whereas the differences are register and rhythmic structure. There could be a couple of route for the explanation of this phenomenon. One is an elucidation based upon the universality and spontaneity in working song style in connection with agricultural production, the other is what is based on cultural diffusion.
The similar singing style between them and common existence of a leading singer with drum could be a phenomenon of autogenesis as a consequence of laborious group working, thereby it can be argued that resemblances in tonal system and range between the two are regarded as musical universality as far as working song is concerned. However, it seems that the words like 'i-hu-hu-hu-hu' in ending part need to be studied more from the viewpoint of cultural diffusion.
In particular, the rhythmic structure of most Korean farming songs is related to triple meter, when all the Chinese songs are based on binary meter. In addition, Chinese songs have a tendency to use high register, when Korean songs use relatively low ones. These are the most distinctive features between Korean and Chinese farming songs.
Some important comparison points in order to reach conclusions are range and register which are related to pitch, mode related to tonal system and cadence, rhythmic structure in relation to tempo and meter, singing style, accompanied instruments, and so on.
The similarities of farming songs between China and Korea are tonal system, range, singing style, and usage of instruments, whereas the differences are register and rhythmic structure. There could be a couple of route for the explanation of this phenomenon. One is an elucidation based upon the universality and spontaneity in working song style in connection with agricultural production, the other is what is based on cultural diffusion.
The similar singing style between them and common existence of a leading singer with drum could be a phenomenon of autogenesis as a consequence of laborious group working, thereby it can be argued that resemblances in tonal system and range between the two are regarded as musical universality as far as working song is concerned. However, it seems that the words like 'i-hu-hu-hu-hu' in ending part need to be studied more from the viewpoint of cultural diffusion.
In particular, the rhythmic structure of most Korean farming songs is related to triple meter, when all the Chinese songs are based on binary meter. In addition, Chinese songs have a tendency to use high register, when Korean songs use relatively low ones. These are the most distinctive features between Korean and Chinese farming songs.
목차
Ⅰ. 서론
Ⅱ. 안휘성과 호북성의 농요 자료 검토
Ⅲ. 안휘성과 호북성 농요의 음악적 특성
Ⅳ. 한ㆍ중 농요의 음악적 특성 비교
Ⅴ. 결론
〈참고문헌〉
〈참고악보〉
참고문헌 (13)
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UCI(KEPA) : I410-ECN-0101-2009-673-017603314