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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Han Yongun (1879～1944) is chiefly remembered as an ardent patriot, reformist, modernizing priest, and as the author of Your Silence under Japanese rule. For these reasons he holds an important place within Koreans' collective memory of their nation's troubled modern history. As a precious cultural heritage, Han Yongun has become a hot commodity in today's so-called “cultural memory.”
Although much has been written about him - particularly on his life and literature - as an embodiment of a poet, a revolutionary, and a Zen monk, little attention has been given to the notions he personally set examples to his country people in his life and literature. Han Yongun has maintained that Buddhism must be socially aware to contribute to the modern world. According to him, “if one cares only for a tranquil dwelling-place, this merely amounts to a rejection of the world; and if one only keeps one’s body still, one is merely self-complacent. Buddhism is a teaching meant for the world, a religion devoted to the liberation of sentient beings!”
Through the analysis of his translation of Chaegeundam (菜根譚) and Yushim(惟心)the monthly magazine he published, this paper offers a perspective on “real” Han Yongun - not as a “cultural star” but as a social writer, a man of action, who has carried those Buddhist precepts into practice.
Although much has been written about him - particularly on his life and literature - as an embodiment of a poet, a revolutionary, and a Zen monk, little attention has been given to the notions he personally set examples to his country people in his life and literature. Han Yongun has maintained that Buddhism must be socially aware to contribute to the modern world. According to him, “if one cares only for a tranquil dwelling-place, this merely amounts to a rejection of the world; and if one only keeps one’s body still, one is merely self-complacent. Buddhism is a teaching meant for the world, a religion devoted to the liberation of sentient beings!”
Through the analysis of his translation of Chaegeundam (菜根譚) and Yushim(惟心)the monthly magazine he published, this paper offers a perspective on “real” Han Yongun - not as a “cultural star” but as a social writer, a man of action, who has carried those Buddhist precepts into practice.
목차
1. 글자 없는 책과 글자 있는 책
2. 『정선강의 채근담』과 행동적 수양주의
3. 『유심』과 깨달음의 미학
4. 어둠 속의 꽃과 역사의 문
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UCI(KEPA) : I410-ECN-0101-2009-710-017612197