지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The world we live in contains a variety of cultures and types of people, each race looking as different as their cultures are different. Korean people also are different from Chinese or Japanese and so are their culture and music.
Trying to distinguish the unique characteristic of Korean music is not that simple a task. It is because one needs to know the music of the various cultures all around the world in order to pinpoint the very uniqueness of one specific culture in comparison. Thus, maybe not accurately but one needs to understand Western music and compare with it in order evaluate the characteristics of Korean music.
This study hopes to better understand the unique qualities of Korean traditional music by approaching the music through its traditional culture and working within the framework of culture, and by finding the elements that are unique in the actual music.
All things of the earth have some sort of line, color, and form. This applies to animals, plants, humans and even to inanimate objects. Then what about Korean music : its line, color, and form? In order to answer this question, we turn to defining what the Korean “line” is in its traditional culture.
A line in Korean traditional culture is curved, not straight. One can see this curve in the mountains of Korea where the shape of the mountains are rolling and gentle hill-like rather than tall and straight. The pine trees which line the mountains are also dominated by the curvy twisting type. And because of this simple fact of Korea’s natural surroundings, this curve can be found everywhere in the Koreans, their philosophy, and their movements as well. Especially, the “face” of a Korean can be found in the gourd of Korea, a common household item for any older Korean. The lines of the gourd are wide and round, the color, a tan yellow.
The simple and natural implement of the gourd of everday life can be a tool in explaining the Korean culture. Culture is life. The swaying lines of the caves of Korean buildings uses the Korean curve. Even the roof tiles are not straight. The curve can be found in Korean dance movements, the traditional garment “Hanbok” also uses the curved lines. The curved line is demonstratively the unique characteristic of Korean culture.
The curved “line” in the traditional music of Korea can be found in its melodic lines. The main notes of the melody have another set of decorative notes which surround the mian note at the beginning and end of it. This “shigimsae” breathes life into the notes. It is in the realm of vibrato but it doesn’t stop at giving a steady equal change to a steadily held note. It gives the note shape and curvature and gives it a variety of different faces by the use of different “shigimsae”.
This shigimsae is like the mother who has sent her daughter off to marriage. It doesn't just stop after having given off the note but kneads and twists the note to bring life to it and all the different characteristics. I have called these shigimsae notes “live tones” and others have named them “living tones”.
Unlike the straight melodies which allow for harmonization in Western music because Korean melodies use these curved "live tones" to make the melody curved, Korean music is not only unable to use harmony, it is not necessary. This is the unique characteristic of Korean music. Like the wide round gourd of Korea, melodies of Korean traditional music are made of the curvy “live tones” and this is the “face” of Korean traditional music.
Trying to distinguish the unique characteristic of Korean music is not that simple a task. It is because one needs to know the music of the various cultures all around the world in order to pinpoint the very uniqueness of one specific culture in comparison. Thus, maybe not accurately but one needs to understand Western music and compare with it in order evaluate the characteristics of Korean music.
This study hopes to better understand the unique qualities of Korean traditional music by approaching the music through its traditional culture and working within the framework of culture, and by finding the elements that are unique in the actual music.
All things of the earth have some sort of line, color, and form. This applies to animals, plants, humans and even to inanimate objects. Then what about Korean music : its line, color, and form? In order to answer this question, we turn to defining what the Korean “line” is in its traditional culture.
A line in Korean traditional culture is curved, not straight. One can see this curve in the mountains of Korea where the shape of the mountains are rolling and gentle hill-like rather than tall and straight. The pine trees which line the mountains are also dominated by the curvy twisting type. And because of this simple fact of Korea’s natural surroundings, this curve can be found everywhere in the Koreans, their philosophy, and their movements as well. Especially, the “face” of a Korean can be found in the gourd of Korea, a common household item for any older Korean. The lines of the gourd are wide and round, the color, a tan yellow.
The simple and natural implement of the gourd of everday life can be a tool in explaining the Korean culture. Culture is life. The swaying lines of the caves of Korean buildings uses the Korean curve. Even the roof tiles are not straight. The curve can be found in Korean dance movements, the traditional garment “Hanbok” also uses the curved lines. The curved line is demonstratively the unique characteristic of Korean culture.
The curved “line” in the traditional music of Korea can be found in its melodic lines. The main notes of the melody have another set of decorative notes which surround the mian note at the beginning and end of it. This “shigimsae” breathes life into the notes. It is in the realm of vibrato but it doesn’t stop at giving a steady equal change to a steadily held note. It gives the note shape and curvature and gives it a variety of different faces by the use of different “shigimsae”.
This shigimsae is like the mother who has sent her daughter off to marriage. It doesn't just stop after having given off the note but kneads and twists the note to bring life to it and all the different characteristics. I have called these shigimsae notes “live tones” and others have named them “living tones”.
Unlike the straight melodies which allow for harmonization in Western music because Korean melodies use these curved "live tones" to make the melody curved, Korean music is not only unable to use harmony, it is not necessary. This is the unique characteristic of Korean music. Like the wide round gourd of Korea, melodies of Korean traditional music are made of the curvy “live tones” and this is the “face” of Korean traditional music.
목차
Ⅰ. 서론
Ⅱ. 바가지론
Ⅲ. 바가지의 모습
Ⅳ. 곡선의 의미
Ⅴ. 자연과 예술에 있어서의 곡선
Ⅵ. 한국전통음악의 얼굴-곡선
Ⅶ. 결론
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