지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The legends of origination of Chunhyangga(春香歌) can be classified into three types.
The characteristics of the content of three types can be summarized as mentioned below. In the first type it is emphasized that the hero is the historical person. In the second type it is emphasized that the heroine died with revenge. In the third type it is emphasized the writer was a yangban(a nobleman) or a person of the intermediary class.
Then the function of three types can be indicated as mentioned below. In the first type the nobility emphasized the positive aspect of their class. In the second type people emphasized the method of paying off their scores by the shamanistic ritual. In the third type it is emphasized that the ruined peers and the intermediary class tried to satisfy their desire.
Finally from the historical point of view three types of the legends of origination of Chunhyangga suggest the history of Chunhyangga. The first type hints the reception attitude of the nobility toward Chunhyangga in the seventeenth century. The second type hints the reception attitude of the commoner toward Chunhyangga in the eighteenth century. The third type hints the reception attitude of the ruined nobility and the intermediary class nineteenth century.
The characteristics of the content of three types can be summarized as mentioned below. In the first type it is emphasized that the hero is the historical person. In the second type it is emphasized that the heroine died with revenge. In the third type it is emphasized the writer was a yangban(a nobleman) or a person of the intermediary class.
Then the function of three types can be indicated as mentioned below. In the first type the nobility emphasized the positive aspect of their class. In the second type people emphasized the method of paying off their scores by the shamanistic ritual. In the third type it is emphasized that the ruined peers and the intermediary class tried to satisfy their desire.
Finally from the historical point of view three types of the legends of origination of Chunhyangga suggest the history of Chunhyangga. The first type hints the reception attitude of the nobility toward Chunhyangga in the seventeenth century. The second type hints the reception attitude of the commoner toward Chunhyangga in the eighteenth century. The third type hints the reception attitude of the ruined nobility and the intermediary class nineteenth century.
목차
Ⅰ. 머리말
Ⅱ. 제의적ㆍ신앙적 관점을 보이는 춘향가 발생설화
Ⅲ. 역사적 관점을 보이는 춘향가 발생설화의 성격
Ⅳ. 맺음말
〔참고문헌〕
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
A Third Type of Man
Korea Journal
1965 .02
-
〈만화본 춘향가〉의 교감과 번역상의 문제
어문학
2010 .03
-
정정렬제 춘향가의 전승 및 유파․바디에 따른 분화
공연문화연구
2019 .01
-
Trapped in the Quest for Realism : Mistaken Equality in Namchang Chunhyangga
Korea Journal
2004 .06
-
장르 전환 및 매체 수록에 따른 박동진제 춘향가 소리 대목의 변이 양상
우리말글
2018 .09
-
프랑스 구체제의 귀족 : 몰락인가 변신인가
역사학보
2007 .06
-
[춘향가]에 나타난 우리말의 아름다움
한글
1990 .12
-
난생설화 외 1편
문학들
2017 .08
-
역사와 설화 사이 : 철원 지역설화로 본 궁예왕
강원민속학
2006 .09
-
충북 지명전설의 유형과 의미 고찰
호서문화논총
2015 .02
-
옥중가를 통해 본 김소희의 음악적 선택
공연문화연구
2018 .01
-
압해도 설화자료
도서문화
2000 .12
-
호남지역 '아기장수 전설'의 유형적 특징과 지역적 특수성에 관한 연구
코기토
2008 .02
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-380-017626013